Thursday, April 26, 2012

Cowboy Bebop: The Movie [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • Animated; Dolby; NTSC; Subtitled; Widescreen
Mars. Days before Halloween 2071. Villains blow up a tanker truck on Highway One, releasing a deadly virus that kills hundreds. Fearing a bigger, even more devastating biochemical attack, an astronomical reward is offered for the arrest and capture of the person behind the destruction. On the spaceship "Bebop," Spike Spiegel and his crew of bounty hunters (Jet Black, Faye Valentine, Ed and Ein) are bored and short of cash. But with the news of the reward everything changes. Based on the wildly popular TV series, Cowboy Bebop, the big-screen smash Cowboy Bebop: The Movie pits Spike and Co. against their deadliest adversary ever. Featuring stunning, state-of-the-art animation, this action-packed sci-fi adventure builds to a breath-taking, nail-biting climax, guaranteed to ke! ep you hanging on the edge of your seat.As the eagerly awaited Cowboy Bebop feature film reunites the original director, screenwriter, composer, and vocal cast, it's not surprising that the film plays like an expanded TV episode. What should be the routine capture of a two-bit hacker by Faye escalates into a deadly game of cat and mouse, as Spike and the gang struggle to prevent the evil Vincent Volaju from murdering every human on Mars. Director Shinichiro Watanabe handles the action sequences with his usual panache. Inside the sinister Cherious Medical research facility, Spike fights a beautiful agent, using a push broom in a series of maneuvers Jackie Chan might envy. The climactic duel between Spike and Vincent plays against innocent yet eerie images of a Halloween carnival, recalling the amusement park setting of episode 20, "Pierrot Le Fou." Knockin' on Heaven's Door will delight fans of the series and provide an excellent introduction for the uninitiat! ed who want to know why Cowboy Bebop is so popular on b! oth side s of the Pacific. (Rated R: violence, brief nudity, minor profanity, tobacco use) --Charles Solomon

Thursday, April 5, 2012

Crossing Over

  • CROSSING OVER (DVD MOVIE)
Harrison Ford (Indiana Jones films) is on a quest for justice as an immigrations agent investigating the case of a missing illegal. In a cross-fire of crime and bureaucracy, fraud and murder, he must race against time to try to save a family from becoming collateral damage in the fight for the American dream. Critics rave, “Harrison Ford is terrific. An engrossing, thoroughly entertaining movie with great performances from a first-rate ensemble cast” (Pete Hammond, Hollywood.com). Co-starring Ashley Judd (Twisted), Ray Liotta (Smokin’ Aces), Jim Sturgess (21), and Cliff Curtis (10,000 BC); Crossing Over will keep you riveted until the final mystery unfolds.

Stills from Crossing Over (Click for larger image)


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The director of The Cooler tries a bigger canvas: Crossing Over is Wayne Kramer's take on nothing less than the vast subject of illegal immigration, coming at the topic from a dozen or so directions. Hefting the most star power is Harrison Ford, scurrying about as an L.A. Immigration and Customs officer whose conscience is sore from having trundled so many illegals back over the border--now he's worried about the child of a particularly vulnerable woman (Alice Braga). Cliff Curtis plays Ford's partner, an Iranian-American whose family ! is not as assimilated as his casual manner might suggest. There's a bit of pulp swagger in other sections of the picture, as Kramer tries to channel his inner Sam Fuller: for instance, an Immigration official (Ray Liotta at his piggiest) coerces an Australian actress (Alice Eve) into a sex-for-green-card affair, and an adolescent Arab-American girl (Summer Bishil, from Towelhead) gives a cheeky speech at school that puts her family under suspicion as possible terrorists. Other strands of this scenario aren't as urgent, as Ashley Judd dreams of adopting the African child she's tending, and Jim Sturgess (Across the Universe), as a British non-believer, tries to convince Immigration authorities of his commitment to working at a Jewish school. The movie's single best scene has him "auditioning" to convince a rabbi of his commitment to Judaism, a funny moment that also carries an echo of the history of Jewish exodus. The movie has a tendency to bash from one thing ! to the next, too neatly connecting its Crash-like plotl! ines, li ke a really spirited first draft of a better movie. --Robert Horton

Tuesday, March 20, 2012

Stranger Than .... Fiction books series: 10 books (The Naked Civil Servant / Reading Lolita In Tehran / Longitude / The Perfect Storm / the Diving-Bell and the Butterfly / Fermat's Last Theorem / Stuart: A Life Backwards / In the Heart of the Sea / Bad Blood / Seabiscuit rrp £59.95)

  • stranger than, collection, pack, series, bad
  • blood, seabiscuit, in the heart of the sea,
  • stuart, backwards, fermat's lats theorem,
  • diving bell butterfly, perfect storm, longitude
  • reading, lolita, dark, naked civil servant,
In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young childen, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem.  After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alp! habet was recited to him slowly, over and over again. In the same way, he was able eventually to compose this extraordinary book.

By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him.

Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly.

This book is a lasting testament to his life.We've all got our idiosyncrasies when it comes to writing--a special cha! ir we have to sit in, a certain kind of yellow paper we absol! utely mu st use. To create this tremendously affecting memoir, Jean-Dominique Bauby used the only tool available to him--his left eye--with which he blinked out its short chapters, letter by letter. Two years ago, Bauby, then the 43-year-old editor-in-chief of Elle France, suffered a rare stroke to the brain stem; only his left eye and brain escaped damage. Rather than accept his "locked in" situation as a kind of death, Bauby ignited a fire of the imagination under himself and lived his last days--he died two days after the French publication of this slim volume--spiritually unfettered. In these pages Bauby journeys to exotic places he has and has not been, serving himself delectable gourmet meals along the way (surprise: everything's ripe and nothing burns). In the simplest of terms he describes how it feels to see reflected in a window "the head of a man who seemed to have emerged from a vat of formaldehyde."In December 1995, Jean-Dominique Bauby, the 43-year-! old editor of French Elle, suffered a massive stroke that left him permanently paralyzed, a victim of “locked in syndrome.” Once known for his gregariousness and wit, Bauby now finds himself imprisoned in an inert body, able to communicate only by blinking his left eye. The miracle is that in doing so he was able to compose this stunningly eloquent memoir.In a voice that is by turns wistful and mischievous, angry and sardonic, Bauby gives us a celebration of the liberating power of consciousness: what it is like to spend a day with his children, to imagine lying in bed beside his wife, to conjure up the flavor of delectable meals even as he is fed through at tube. Most of all, this triumphant book lets us witness an indomitable spirit and share in the pure joy of its own survival.


From the Trade Paperback edition.We've all got our idiosyncrasies when it comes to writing--a special chair we have to sit in, a certain kind of yellow paper we! absolutely must use. To create this tremendously affecting m! emoir, Jean-Dominique Bauby used the only tool available to him--his left eye--with which he blinked out its short chapters, letter by letter. Two years ago, Bauby, then the 43-year-old editor-in-chief of Elle France, suffered a rare stroke to the brain stem; only his left eye and brain escaped damage. Rather than accept his "locked in" situation as a kind of death, Bauby ignited a fire of the imagination under himself and lived his last days--he died two days after the French publication of this slim volume--spiritually unfettered. In these pages Bauby journeys to exotic places he has and has not been, serving himself delectable gourmet meals along the way (surprise: everything's ripe and nothing burns). In the simplest of terms he describes how it feels to see reflected in a window "the head of a man who seemed to have emerged from a vat of formaldehyde."In December 1995, Jean-Dominique Bauby, the 43-year-old editor of French Elle, suffered a massive st! roke that left him permanently paralyzed, a victim of “locked in syndrome.” Once known for his gregariousness and wit, Bauby now finds himself imprisoned in an inert body, able to communicate only by blinking his left eye. The miracle is that in doing so he was able to compose this stunningly eloquent memoir.In a voice that is by turns wistful and mischievous, angry and sardonic, Bauby gives us a celebration of the liberating power of consciousness: what it is like to spend a day with his children, to imagine lying in bed beside his wife, to conjure up the flavor of delectable meals even as he is fed through at tube. Most of all, this triumphant book lets us witness an indomitable spirit and share in the pure joy of its own survival.


From the Trade Paperback edition.On December 8 1995, Elle magazine editor-in-chief Bauby suffered a stroke and lapsed into a coma. He awoke 20 days later, mentally aware of his surroundings but physically paralyzed with th! e exception of some movement in his head and left eye. Bauby h! ad Locke d-in-Syndrome, a rare condition caused by stroke damage to the brain stem. Eye movements and blinking a code representing letters of the alphabet became his sole means of communication. It is also how he dictated this warm, sad, and extraordinary memoir. Bauby's thoughts on the illness, the hospital, family, friends, career, and life before and after the stroke appear with considerable humor and humanity. Actor Rene Auberjonois's narration adds to the poignancy of the story. Sadly, Bauby died of his condition in 1997From Miramax Films acclaimed director Julian Schnabel and the screenwriter of THE PIANIST comes a remarkable and inspiring true story about the awesome power of imagination. Experience the triumphant tale of renowned editor Jean-Dominique Bauby a man whose love of life and soaring vision shaped his will to achieve a life without boundaries. You'll soon discover why David Benby of "The New Yorker" calls THE DIVING BELL AND THE BUTTERFLY "nothing less than the rebi! rth of the cinema."System Requirements:Running Time: 112 minutes Language: English / Spanish / French Subtitles: English / French / SpanishFormat: DVD MOVIE Genre: DRAMA/TRUE STORY Rating: PG-13 UPC: 786936750119 Manufacturer No: 05596700The seemingly claustrophobic story of a man imprisoned in his paralyzed body becomes a dazzling and expansive movie about love, imagination, and the will to live. After a stroke, Jean-Dominique Bauby (Mathieu Amalric, Kings and Queen) can only move his left eye--and through that eye he learns to communicate, one letter at a time. With the help of his speech therapist (Marie-Josee Croze, Munich) and a stenographer (Anne Consigny, Anna M.), Bauby writes the stunning memoir The Diving Bell and the Butterfly. But such a plot summary makes the movie sound like lofty, self-important medicine--far from it. Director Julian Schnabel (Basquiat, Before Night Falls), working from an elegant screenplay by ! Ronald Harwood (The Pianist) and with an oustanding cas! t (which also includes Frantic's Emmanuelle Seigner as Bauby's neglected wife), has created a movie as engrossing and hypnotic as a thriller, a movie that wrestles with mortality yet has stubborn streaks of dark humor and eroticism, that portrays a man who overcomes unimaginable obstacles but refuses to paint him as a saint. Schnabel was once dismissed as a pompous and overblown painter, but he's crafted an intimate visual poem, a humble sonata about life at its most fragile. --Bret FetzerFrom acclaimed director Julian Schnabel, and the screenwriter of Australia and The Pianist, comes a remarkable and inspiring true story about the awesome power of imagination.

Experience the triumphant tale of renowned Elle magazine editor Jean-Dominique Bauby, a man whose love of life and soaring vision shaped his will to achieve a life without boundaries. Paralyzed after a stroke except for the use of his left eye, Bauby eloquently shared his story with th! e world by blinking the words he could no longer speak. The Diving Bell and the Butterfly is truly ""nothing less than the rebirth of the cinema."" (The New Yorker)The seemingly claustrophobic story of a man imprisoned in his paralyzed body becomes a dazzling and expansive movie about love, imagination, and the will to live. After a stroke, Jean-Dominique Bauby (Mathieu Amalric, Kings and Queen) can only move his left eye--and through that eye he learns to communicate, one letter at a time. With the help of his speech therapist (Marie-Josee Croze, Munich) and a stenographer (Anne Consigny, Anna M.), Bauby writes the stunning memoir The Diving Bell and the Butterfly. But such a plot summary makes the movie sound like lofty, self-important medicine--far from it. Director Julian Schnabel (Basquiat, Before Night Falls), working from an elegant screenplay by Ronald Harwood (The Pianist) and with an oustanding cast (! which also includes Frantic's Emmanuelle Seigner as Bau! by's neg lected wife), has created a movie as engrossing and hypnotic as a thriller, a movie that wrestles with mortality yet has stubborn streaks of dark humor and eroticism, that portrays a man who overcomes unimaginable obstacles but refuses to paint him as a saint. Schnabel was once dismissed as a pompous and overblown painter, but he's crafted an intimate visual poem, a humble sonata about life at its most fragile. --Bret FetzerStranger Than .... Fiction books series: 10 books The Naked Civil Servant / Reading Lolita In Tehran / Longitude / The Perfect Storm / the Diving-Bell and the Butterfly / Fermat's Last Theorem / Stuart: A Life Backwards / In the Heart of the Sea / Bad Blood / Seabiscuit rrp £59.95

Wednesday, March 7, 2012

Diggers

Friday, February 24, 2012

Hotel California

Friday, January 20, 2012

A Decade Under the Influence

Thursday, January 19, 2012

Sampler - Snowflakes are beautiful, like God's children - Primitive Country Rustic Embroidered Plaque Grandma Stitchery Picture

  • Endearing hand-stitched sampler.
  • "Snowflakes are beautiful, pure and bright, and like God's children, no two are alike."
  • Displayed under glass. 9"x 12".
A powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinc! hing, demanding, and generous. An epic story, exotic locales and electrifying performances from Bai Ling (Sky Captain and The World of Tomorrow), Tim Roth (Dark Water) and Nick Nolte (Hotel Rwanda) highlight this moving film that celebrates the power of the human spirit. Raised as an orphan, Binh (Damien Nguyen) is a young Vietnamese man with one impossible dream: to be reunited with his birth father, an American G.I. who left without a trace. In an incredible odyssey that stretches from Saigon to New York to Texas, Binh confronts unimaginable hardships as he finds danger, love and, finally, the key to unlocking the mysteries of his past.

Renovation that’s eco-friendly…AND economically smart

From Country Living contributing editor Randy Florke (Your House, Your Home) comes a gorgeous guide to decorating sustainably and inexpensively.  Providing inspiration! as well as instruction, Florke shows how everyone can achieve! a look that’s both harmonious with the environment and beautiful. 

 Color photographs show examples of rooms, all radiating country charm, created on a budget, and designed with the three Â"R”s in mind: restore, reuse, and repurpose. Florke clearly explains why going green is so important, how to use what’s already there, find a focus for every space, and determine what makes something environmentally friendly.

Anyone hoping to transform a home from ordinary to extraordinary will find eco-friendly, thrifty, and stylish ideas.   

With its emphasis on simplicity, thrift, and respect for historical integrity, Randy Florke calls his philosophy the "anti-keeping up with the Joneses.”  Comfort, style, and economy are the bellwether elements of his approach to decorating.

A powerful new collection from an award-winning poet.

At the heart of R! obert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous.A powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the g! rotesque and the grotesque inside what is beautiful. The laws ! of natur e, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous.In a Beautiful Country examines America's suburbs and exurbs where "The thrown newspaper fails / to reach the steps." Taking place beside hospital beds and amid outlet malls, within earshot of military bases and in the light of horror movies, these poems mourn the loss of parents, friends, and our sense of our nation. Turning to ballad-like rhythms, Prufer critiques romanticized visions of art while asserting its central role in citizenship and empire.Country Living is your guide to creating the ultimate in country style. Each issue offers inspirational ideas on:Decorating & Remodeling, Antique! s & Collecting, Gardening & Landscaping, Entertaining & Travel.This endearing hand-stitched sampler reads, "Snowflakes are beautiful, pure and bright, and like God's children, no two are alike." Stitchery features layered fabric with felt snowman, embroidered snowflakes, and evergreen tree. Displayed under glass. 9"x 12".

Wednesday, January 18, 2012

Dylan Dog Dead of Night Movie Fabric Wall Scroll Poster (16"x23") Inches

  • Decorate your walls with this brand new sturdy Wall Scroll
  • Durable fabric (much better than a regular poster)
  • Easy to frame (comes with 2 hanging hooks) and makes a great gift too
Dylan Dog (Brandon Routh) is a world famous private detective who specializes in the supernatural. Armed with an edgy wit and carrying an arsenal of silver and wood-tipped bullets, Dylan must track down a dangerous artifact before a war ensues between his werewolf, vampire and zombie clients living undercover in the monster infested backstreets of New Orleans.At a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide ! over most of the well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare! , and the ingredients are there for a breezily enjoyable gore ! comedy. Ultimately, what makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightThe adventures of supernatural private eye dylan dog who seeks out the monsters of the louisiana bayou in his signature red shirt black jacket and blue jeans. Studio: Tcfhe Release Date: 07/26/2011 Starring: Brandon Routh Taye Diggs Run time: 108 minutes Rating: Pg13 Director: Kevin MunroeAt a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide over most of th! e well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare, and the ingre! dients are there for a breezily enjoyable gore comedy. Ultimat! ely, wha t makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightWall Scroll Poster