Tuesday, November 29, 2011

GTMax Black Rapid Retractable Car Charger for Verizon Samsung Fascinate Galaxy S CDMA Cellphone

  • Charge your cell phone when you're on the road. Car charger plugs into your car's cigarette lighter and charges your phone while you're driving.
  • Use the time you spend in your car to make sure that your phone is ready to go.
  • The innovative retractable design with quick release button cuts down on travel bulk and ensures the portability of your cell phone without sacrificing functionality. No more tangled cable mess.
  • Intelligent IC chip recognizes a fully charged battery and automatically switches to saver mode to prevent overcharging and short circuit.
  • Fits any devices that uses a Micro-USB Port.
Wynton is back with Christmas Jazz Jam, his first holiday album in 20 years. Wynton is joined by his septet for his 78th recording as they breathe new life into Christmas classics. Rooted in the spirit of New Orleans and the gospel church, these new arrangements of ho! liday standards are drenched with down-home soul and joyous swing. Christmas Jazz Jam brings the American art of jazz improvisation to traditional songs loved worldwide. It provides a great opportunity to discover and enjoy contemporary jazz.Charge your cell phone when you're on the road. Car charger plugs into your car's cigarette lighter and charges your phone while you're driving. Use the time you spend in your car to make sure that your phone is ready to go. The innovative retractable design with quick release button cuts down on travel bulk and ensures the portability of your cell phone without sacrificing functionality. No more tangled cable mess. Intelligent IC chip recognizes a fully charged battery and automatically switches to saver mode to prevent overcharging and short circuit. Fits any devices that uses a Micro-USB Port.

House of Sand and Fog

  • Condition: New
  • Format: DVD
  • AC-3; Anamorphic; Closed-captioned; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitled; Widesc
Filmed entirely on the magnificent, sandy coast of northern Brazil, Áurea's saga begins in 1910, in Maranhão, where her fanatical husband has relocated his family to start a farm. Desperate and pregnant, Áurea (Fernanda Torres) longs to return to the city, but cannot traverse the dunes with her aging mother, Maria (Fernanda Montenegro) in tow. When calamity strikes, the two women find themselves stranded. Eventually, they settle among the shifting sands and Áurea finds peace. But her passionate daughter, Maria, longs to explore the world beyond the dunes. This profound portrait of passing generations has established Andrucha Waddington as one of the most exciting directors in Brazil today.The landscape looks like the surface of the moon. Set in Br! azil's Maranhão desert, House of Sand follows three generations of women, from 1910 to 1969, as they eke out a living from this hostile environment. Oafish Vasco (director Ruy Guerra) brings pregnant wife Áurea (Fernanda Torres) and her mother, Dona Maria (Fernanda Montenegro, Central Station), from the city to make a new start. Shortly after they arrive, fate takes him out of the picture. Mother and daughter muddle through with the help of slave descendents. Wary at first, Massu (Seu Jorge, City of God) takes a particular shine to the duo. The story then skips ahead to 1919, when an escape route materializes. There will be two more shifts in time. By 1942, Áurea's daughter, Maria (Torres), has grown into impetuous womanhood, while Áurea (Montenegro) and Massu (Luiz Melodia) have settled into middle age. In the final section, set during the year of the first lunar landing, Áurea (Montenegro) is around the same age as her mother at the start of the ! film. With the exception of Camilla Facundes as nine-year-old ! Maria, T orres and her real-life mother assume every female role. What does it all mean? Andrucha Waddington (Me You Them) doesn't burden his enigmatic epic with a singular message, but those who appreciate dust-swept dramas like Woman in the Dunes and Walkabout aren't likely to hold it against him. The point seems to be that the human--especially the female--capacity for survival knows no bounds. --Kathleen C. Fennessy

Stills from House of Sand (click for larger image)



!





Academy Award winners Ben Kingsley (Gandhi) and Jennifer Connelly (A Beautiful Mind) deliver stunning performances as two strangers whose conflicting pursuits of the American Dream lead to a fight for their hopes at any cost. What begins as a struggle over a rundown bungalow spirals into a clash that propels everyone involved toward a shocking resolution. "The surprise ending will leave you breathless!" (Clay Smith, Access Hollywood! )Jennifer Connelly followed up her Academy Award for A Beau! tiful Mi nd with this dark but moving story of small mistakes that escalate, with tragic necessity, to disaster. In House of Sand and Fog, Kathy (Connelly) gets evicted from her house for failing to pay a tax she never should have been charged in the first place. The house is swiftly put up for auction and bought by a former military officer from Iran named Behrani (Ben Kingsley, Sexy Beast). When legal efforts fail her, Kathy turns to a sympathetic cop (Ron Eldard, Bastard Out of Carolina), who wants out of a loveless marriage and who's willing to step over legal boundaries if it might give him a fresh start. Topnotch performances by the entire cast make House of Sand and Fog a compelling psychological drama; your sympathies will be pulled in all directions. --Bret Fetzer

Hunter - After The Fall (Book One)

  • Twenty-First Century Civilization Will Soon Collapse
  • Just One In Ten Thousand Will Survive The Apocalypse
  • You Have Been Chosen To Escape The Great Purging
  • Welcome To The Future...

Publishers Weekly Top 10 Best of the Year

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic ! work."â€"The Plain Dealer

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.


This science fiction collection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story has something important! to say about humanity and packs a punch the reader will feel ! for a wh ile." -- Sarah NicolasThis science fiction collection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story has something important to say about humanity and packs a punch the reader will feel for a while." -- Sarah NicolasThe apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced ove! rseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China! Mountain Zhang and New York Times editor's choice ! Nekro polis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.The apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted! stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.From California to the east coast, it rained across most of the continental United States. From Los Angeles to New York City, residents reported an odd, whitish-grey residue that coated everything.

Cats groomed the residue from their bodies, because that’s what cats do, and then they tu! rned to their feed bowls with increasing hunger.

Th! e most d eadly biological weapon ever created had been unleashed. It was one that would effectively pit most forms of animal life against mankind.

Humanity was immune to the growth hormone. However, exposed to massive doses, mankind was not immune to the chemical component of the compound that triggered the hyper aggression, nor was humanity immune to the appetite enhancer.

By mid-February, violent mobs of enraged hungry people were rioting in the streets of every major city in the world. In American cities, some of these riots were sparked by angry pet owners who were outraged that the government was supposedly plotting to exterminate all dogs and cats as a preemptive measure to protect the population. Pet owners viewed the mandatory registration of all dogs and cats with government officials by the end of February as a prelude to that extermination effort. Other people, generally those who didn’t own pets, were supportive of the measures. This led to protes! ts and counter protests, which quickly turned violent as the hyper aggressive groups clashed.

In the months that followed, one by one, the governments of the world collapsed under the strain of trying to maintain order. Food production ground to a halt in most of the world as the men and women who’d been feeding the human race succumbed to the effects of massive exposure to the formula.

As the governments collapsed, so did the infrastructures supporting the civilization of mankind. Mass transit, power generation, and water purification were among the first to fail, but they were quickly followed by oil and gasoline production.

In six months, humanity plunged from the top of the food chain to a position near the center and the world would never be the same.

This is a 112,500 word book that has numerous accompanying photographs to depict the scenes.From California to the east coast, it rained across most of the continental United ! States. From Los Angeles to New York City, residents reported ! an odd, whitish-grey residue that coated everything.

Cats groomed the residue from their bodies, because that’s what cats do, and then they turned to their feed bowls with increasing hunger.

The most deadly biological weapon ever created had been unleashed. It was one that would effectively pit most forms of animal life against mankind.

Humanity was immune to the growth hormone. However, exposed to massive doses, mankind was not immune to the chemical component of the compound that triggered the hyper aggression, nor was humanity immune to the appetite enhancer.

By mid-February, violent mobs of enraged hungry people were rioting in the streets of every major city in the world. In American cities, some of these riots were sparked by angry pet owners who were outraged that the government was supposedly plotting to exterminate all dogs and cats as a preemptive measure to protect the population. Pet owners viewed the mandatory registration of all dogs and ! cats with government officials by the end of February as a prelude to that extermination effort. Other people, generally those who didn’t own pets, were supportive of the measures. This led to protests and counter protests, which quickly turned violent as the hyper aggressive groups clashed.

In the months that followed, one by one, the governments of the world collapsed under the strain of trying to maintain order. Food production ground to a halt in most of the world as the men and women who’d been feeding the human race succumbed to the effects of massive exposure to the formula.

As the governments collapsed, so did the infrastructures supporting the civilization of mankind. Mass transit, power generation, and water purification were among the first to fail, but they were quickly followed by oil and gasoline production.

In six months, humanity plunged from the top of the food chain to a position near the center and the world would never be the sam! e.

This is a 112,500 word book that has numerous accomp! anying p hotographs to depict the scenes."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological breakthrough, Time Travel, a catastrophic failure occurs. This strands the test team three years into the future. They are greeted by a new world which has been decimated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological breakthrough, Time Travel, a catastrophic ! failure occurs. This strands the test team three years into the future. They are greeted by a new world which has been decimated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited.In volume one of his epic post-apocalyptic adventure saga, master storyteller John Phillip Backus brings this not-so-distant vision of the future to life with intriguing characters, gifted narrative, believable settings and mythic heroes and villains. Driven by a riveting storyline brilliantly illustrated by Asheville, NC artist, Chad Schoenauer, the author weaves his linguistic magic until the reader is utterly immersed in this brave new world and dare not fail to turn the next page for fear of missing out. On his own in the Wyoming wilderness, fourteen years after the End War and its aftermath nearly wiped out the human race, self-exiled survivor, Hunter Macintosh, is suddenly faced with more than he bargained for-three sisters and a child crossing the uncharted wilds alone. Suspicious at first, Hunter soon discovers they've traveled more than three hundred miles to find him, at the request of their father, Adam Planchet-Hunter's former commander and comrade-in-arms-whose besieged Colorado community is at risk of being overrun by lawless hordes! Honor-bound by a pledge made many years earlier, Hunter agrees to return with Elise Planchet to help turn the tide before all is lost. Set against the majestic backdrop of the North American Rockies, Hunter - After The Fall is an engrossing tale of adventure, betrayal and hope, where the true character of an individual is thoroughly tested and the outcome uncertain at best. Join Hunter and Elise as they battle bands of outlaws, enraged grizzlies, numbing blizzards, armed militias and their own stubborn hearts in an epic tale of good-versus-evil in a potential future all too easy to conceive!

The Edukators Poster Movie B 11x17 Daniel Br?hl Julia Jentsch Stipe Erceg Burghart Klau?ner

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Edukators 11 x 17 Inches Style B Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Jan (Daniel Brühl, Ladies in Lavender) and Peter are the best friends behind the radical and mysterious group The Edukators, united by their passion to change the world, in "The funniest, most original movie I’ve seen all year." (David Edwards, The Daily Mirror). When the rich go on vacation, The Edukators break into their homes. They don’t steal, but simply rearrange everything, leaving the message "Your days of plenty are numbered." When Peter’s girlfriend Jule (Julia Jentsch, winner, Best Young Actress, 2005 Bavarian Film Awards) moves in, she joins t! hem in their subversive activities. But when a rich businessman catches them in the act, they rashly decide to kidnap him. Faced with the values of the generation in power, they will see what kind of revolutionaries they are, if their friendship can survive, and discover if they truly work in the interest of the greater good, or just in their own self-interest. Passions rage and loyalties shatter in director Hans Weingartner’s exciting film that’s "Fresh, biting, gripping, tender, and tense." (The Telegraph On SundayFollowing the fall of the Berlin Wall, German society experienced the end of a political and cultural antagonism, which had defined East and West since WWII. Reunification was marked by post-modern feelings of fragmentation, uncertainty and loss of authenticity. This led to glorifications of past cultures, evident in the phenomenon of Ostalgie, the recurrence of the Heimat tradition and the revival of Counter-cultural styles amongst contemporary you! th. With Hans Weingartner?s film 'The Edukators' and Antonio ! Gramsci? s concept of Hegemony in focus, this book seeks to reassess the validity of traditional cultural theory in post-Wall German society. The author critically examines the power- struggle between resistance and incorporation of (youth-) cultural movements and nostalgic material desires in contemporary Germany. The analysis illustrates the need for a more positive re- utilisation and remembrance of history in East and West in order to enhance cultural optimism for a united present and future. It should be of particular interest to those studying German culture, film or history, and anyone who feels that innovation springs from the creative individual.Featuring tracks from Franz Ferdinand, Depeche Mode, Leonard Cohen and Radio 4, along with German music such as Tocotronic and T. Raumschmiere, the soundtrack is an energetic reflection of The Edukators film, dealing with teenage rebellion and idealism in Germany. Directed and written by Hans Weingartner, the film feature! s Daniel Brühl (who starred in 2002's Good Bye, Lenin!), the Evening Standard said of The Edukators '[It is a] gripping confrontation between a trio of disaffected youngsters and the fat-cat businessman whom they kidnap' while The Independent declared it to be 'One of the Best Films at Cannes 2004'. EMI. 2005.Contemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist! cause, has a heart attack when she sees him being clubbed by ! police a t a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerThe Edukators reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style B mini poster print

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The Hawk Is Dying Poster Movie French 11x17

Fallen Men's Forte Skate Shoe,Black OPS,10 M US

  • Durable and comfortable for long-lasting wear
  • Lightweight
  • Pro Model
There's something achingly familiar about Daniel Grigori.

Mysterious and aloof, he captures Luce Price's attention from the moment she sees him on her first day at the Sword & Cross boarding school in sultry Savannah, Georgia. He's the one bright spot in a place where cell phones are forbidden, the other students are all screw-ups, and security cameras watch every move.

Even though Daniel wants nothing to do with Luce--and goes out of his way to make that very clear--she can't let it go. Drawn to him like a moth to a flame, she has to find out what Daniel is so desperate to keep secret . . . even if it kills her.

Dangerously exciting and darkly romantic, Fallen is a page turning thriller and the ultimate love story.


From the Hardcover edition.Fallen - the first boo! k in the Guardian Trilogy...

Maggie is unaware of the terrifying fate that awaits her. It isn’t until she lands in New Orleans for a full year at a private high school and her unknown enemies find her does she realize that her life is in danger.

As a mystifying stranger repeatedly intervenes and blocks the attempts on her life, she begins to learn that there is more to him than his need to protect her and that he may be the key to understanding why her enemies have just now arrived.


Now available: Eternity (Book 2 of the Guardian Trilogy)


"This was a really great little read. I finished it within a night because I could not stop reading it. The story moved well and the characters really grew on me." - Shawna, May 24, 2011

"I loved this book...WOW!! It was so different and I really like Maggie!! She is a great character that I have loved being introduced to and can't wait to read more about!!" - Kathryn, ! June 6, 2011


5% of the proceeds from this nov! el will be donated to the Animal Welfare Institute in an effort to help fight animal neglect and cruelty.

Fallen - the first book in the Guardian Trilogy...

Maggie is unaware of the terrifying fate that awaits her. It isn’t until she lands in New Orleans for a full year at a private high school and her unknown enemies find her does she realize that her life is in danger.

As a mystifying stranger repeatedly intervenes and blocks the attempts on her life, she begins to learn that there is more to him than his need to protect her and that he may be the key to understanding why her enemies have just now arrived.


Now available: Eternity (Book 2 of the Guardian Trilogy)


"This was a really great little read. I finished it within a night because I could not stop reading it. The story moved well and the characters really grew on me." - Shawna, May 24, 2011

"I loved this book...WOW!! It was so different and I really like Maggie!! She i! s a great character that I have loved being introduced to and can't wait to read more about!!" - Kathryn, June 6, 2011


5% of the proceeds from this novel will be donated to the Animal Welfare Institute in an effort to help fight animal neglect and cruelty.

Luce would die for Daniel.

And she has. Over and over again. Throughout time, Luce and Daniel have found each other, only to be painfully torn apart: Luce dead, Daniel left broken and alone. But perhaps it doesn’t need to be that way. . . .

Luce is certain that somethingâ€"or someoneâ€"in a past life can help her in her present one. So she begins the most important journey of this lifetime . . . going back eternities to witness firsthand her romances with Daniel . . . and finally unlock the key to making their love last.

Cam and the legions of angels and Outcasts are desperate to catch Luce, but none are as frantic as Daniel. He chases Luce through their shared pasts! , terrified of what might happen if she rewrites history.

B ecause their romance for the ages could go up in flames . . . forever.

Sweeping across centuries, Passion is the third novel in the unforgettably epic Fallen series.

Paul Wesley (The Vampire Diaries) stars as Aaron Corbett, a high school jock with a promising future. But on his 18th birthday, his life forever changes when his incredible powers emerge, revealing the terrifying truth of his identity. As The Redeemer, a half-angel, half-man who can return fallen angels to heaven, Aaron holds the entire world's destiny in his young hands. He must battle warrior seraphs and confront the fallen angel who has sparked his nightmares (Bryan Cranston, Breaking Bad). But can he save himself and the girl he loves? Based on the bestselling book series, Fallen soars to new levels in the battle between good and evil.

The complete movie event includes parts 1-3: The Beginning, The Journey, and The DestinyThe Vampire Diaries' Paul Wesley is top-b! illed in Fallen, a surprisingly entertaining action-fantasy miniseries about a teen who discovers that he possesses unearthly powers. That's a hackneyed premise on which to hang four hours of TV (Fallen aired on ABC Family in 2006), but thankfully, the film's writers and producers have found a novel wrinkle on which to hang their story. Wesley's Aaron Corbett is one of the Nephilim, a race of mysterious beings mentioned in the Book of Genesis and other religious works; for the purposes of Fallen, the Nephilim are the sons of the angels cast out of Paradise with Lucifer, and Aaron is the Redeemer, who can send these outcasts back to Heaven. This newfound status gives Aaron powers ranging from mastery of languages to the ability to speak with his dog, but also makes him the target of the Powers, rogue angels assigned to eliminate his kind. To protect his family, Aaron hits the road with former Power Camael (Rick Worthy) and a Fallen named Ariel (Iva! na Milicevic). What follows is surprisingly engaging drama wel! l balanc ed with some impressive CGI-driven fights between Aaron and the Powers. Wesley is fine as the conflicted Aaron, and he's well supported by Tom Skerritt as Ezekiel, his Fallen advisor, as well as Hal Ozsan as the loose-cannon Fallen named Azazel and Bryan Cranston as Lucifer himself. Though clearly aimed at teen audiences, Fallen is the rare kid-friendly effort that holds appeal for nearly every member of the family. Unfortunately, the DVD is bare-bones save for a promotional trailer. --Paul GaitaThere's something achingly familiar about Daniel Grigori.

Mysterious and aloof, he captures Luce Price's attention from the moment she sees him on her first day at the Sword & Cross boarding school in sultry Savannah, Georgia. He's the one bright spot in a place where cell phones are forbidden, the other students are all screw-ups, and security cameras watch every move.

Even though Daniel wants nothing to do with Luce--and goes out of his way t! o make that very clear--she can't let it go. Drawn to him like a moth to a flame, she has to find out what Daniel is so desperate to keep secret . . . even if it kills her.

Dangerously exciting and darkly romantic, Fallen is a page turning thriller and the ultimate love story.


From the Hardcover edition.There's something achingly familiar about Daniel Grigori.

Mysterious and aloof, he captures Luce Price's attention from the moment she sees him on her first day at the Sword & Cross boarding school in sultry Savannah, Georgia. He's the one bright spot in a place where cell phones are forbidden, the other students are all screw-ups, and security cameras watch every move.

Even though Daniel wants nothing to do with Luce--and goes out of his way to make that very clear--she can't let it go. Drawn to him like a moth to a flame, she has to find out what Daniel is so desperate to keep secret . . . even if it kills her.
Dangerously exciting and darkly romantic, Fallen is a ! page tur ning thriller and the ultimate love story.


From the Hardcover edition.Hell on earth.

That’s what it’s like for Luce to be apart from her fallen angel boyfriend, Daniel.
It took them an eternity to find one another, but now he has told her he must go away. Just long enough to hunt down the Outcastsâ€"immortals who want to kill Luce. Daniel hides Luce at Shoreline, a school on the rocky California coast with unusually gifted students: Nephilim, the offspring of fallen angels and humans.

At Shoreline, Luce learns what the Shadows are, and how she can use them as windows to her previous lives. Yet the more Luce learns, the more she suspects that Daniel hasn’t told her everything. He’s hiding somethingâ€"something dangerous.
What if Daniel’s version of the past isn’t actually true? What if Luce is really meant to be with someone else?
 
The second novel in the addictive FALLEN series . . . where love never dies.


! From the Hardcover edition.Amazon.com Exclusive: Questions for Lauren Kate

Amazon.com: Luce and Daniel's story is very romantic. What inspired you to write a love story between a human and an angel?
Lauren Kate: I’ve been writing love stories for as long as I’ve been writing. To me, the most complicated romances make the most interesting narratives, so I’m always looking for new obstacles to throw in my lovers’ paths. When I was getting my masters degree in fiction, I was studying biblical narratives and came across a line in Genesis (6:1-4), which describes a group of angels who fell in love with mortal women. Putting this reference together with a mention in Isaiah and another in Palsm 82, biblical scholars conclude that these angels were actually cast out of Heaven ! for their lust. Which means--you could say--that these angels ! chose lo ve over Heaven. I found this to be an endlessly interesting set up for an incredibly complicated romance. I started thinking about what kind of mortal girl it would take to attract an angel’s attention. And what it would be like for her to find herself in this position. What kind of baggage would an angel have? What would her very over-protective parents think? From there, this whole world unfurled in my head with fallen angels, demons, reincarnation, and the war between good and evil all battling for a piece of the action.

Amazon.com: We've been wondering about the "mechanics" of Luce and Daniel's story (for lack of a better word). Does Daniel age? Or does he stay seventeen forever (while Luce grows older)? And with that said, what does he do while Luce is growing up in each of her lives? What was he doing before he met Luce in this life?
Kate: What’s important about angels is not their bodies but their souls. In their purest forms, th! ey’re actually genderless, but for my story to work--for the angels to come down to earth and interact with mortals--they all assume human bodies and attach themselves to human genders. Daniel is eternal and will live on forever, but the body Luce sees him in (gorgeous as it is) is really just a shell for the soul that she loves. There’s not the feeling of a ticking clock in the background as there might be with, say, a vampire story. Right now I’m writing Passion, the prequel where we’ll see Luce and Daniel in a dozen other lifetimes, so I’m exploring a lot of these mechanics (a great word for it, by the way) between the angel’s bodies and souls.

The way Daniel occupies himself in between Luces varies from life to life. His soul is least at rest just after she’s died, before she’s incarnated into another life--when she is “in between.” During her lives, even when he isn’t with her, he is always aware of her age, what she’s goin! g through, how she’s doing. He has a sort of internal Lucind! a clock. Sometimes he meets her as a child, sometimes he tries to stay away from her as long as possible, to give her as much of a life outside of him as he can. In the years leading up to the life where they meet at Sword and Cross, Daniel was living on Skid Row in Los Angeles.

Amazon.com: Fallen and Torment talk a lot about the history of Heaven and Hell, the different classes of Angels, and the rules of human-angel interaction. Obviously these themes are explored heavily in religious texts, but were there other sources that informed your story?
Kate:It’s interesting because there is actually very little in the Bible about angels--a few mentions in the Old Testament, a few more in the new. And the mentions that we do have are often vague or contradictory. Most of what we think of when we think of angels today comes from secular or cultural contexts. Seventy-five percent of it might have come from Milton alone. I worked with a b! iblical scholar at UC Davis who pointed me toward some apocryphal texts (books written during the same as the bible, but which were not included in the book when the canon was closed). Books like Enoch 1-3 and the Dead Sea Scrolls are chock full of angel references. I also read a trilogy on Satan and a book called the A History of Heaven both by Jeffrey Burton Russell, as well as a great book by Harold Bloom called Omens of the Millennium.

I got so engrossed in all of the research I did for Fallen that I had a hard time knowing when to stop reading and when to start writing. I had to realize that it was okay for me to pick and choose things from various accounts, to look past contradictions, and to come up with my own angel mythology. That’s what Milton did, after all!

Amazon.com: What is Cam's deal? We're not convinced that he's totally evil--in Fallen, he seemed to be trying to protect Luce by keeping he! r away from Daniel, and in Torment he and Daniel reac! h a myst erious truce, again to protect Luce. Will we be seeing more of him in book 3?
Kate:Speaking of Milton, isn’t it fascinating that Satan is the most interesting character in Paradise Lost? From the start of this series, I have wanted to test the boundaries between what is “good” and what is “evil.” How and when do those terms get applied? Are they black and white or is there some flexibility along the spectrum? Obviously it’s much more interesting if Heaven and Hell/good and evil work as binaries: opposites that orbit each other and are pulled toward each other with a mutual gravitation. We see that at the end of Fallen and in Torment with Daniel and Cam’s truce. The idea that good and evil rely on each other is as old as the oldest dualistic religion, Zoroastrianism (on whose shoulders both Judaism and Christianity stood).

So yes, there is more to Cam than pure evil! (Especially since his character--the cha! rming side of his character anyway--was based loosely on my husband.) We’ll see a lot of him in Passion and will even begin to understand how he got where he is today.

Amazon.com: Can you tell us a little bit about book 3? Will we find out more about Luce and Daniel's past lives?
Kate:Passion is going to be the craziest, coolest book I’ve ever written! I’m halfway through the first draft right now and it is so rewarding to finally get to delve into Luce and Daniel’s past lives together. The history these two share is the stuff of epics, and I am learning so many new things about them as I write. For any reader out there feeling tortured by the teasing hints of so many thrilling past lives: Passion is your book! Everything--well, almost everything--will be illuminated.


There’s no police training stronger than a cop’s instinct. Faith Mitchel! l’s mother isn’t answering her phone. Her front door is op! en. Ther e’s a bloodstain above the knob. Her infant daughter is hidden in a shed behind the house. All that the Georgia Bureau of Investigations taught Faith Mitchell goes out the window when she charges into her mother’s house, gun drawn. She sees a man dead in the laundry room. She sees a hostage situation in the bedroom. What she doesn’t see is her mother. . . .
 
“You know what we’re here for. Hand it over, and we’ll let her go.”
 
When the hostage situation turns deadly, Faith is left with too many questions, not enough answers. To find her mother, she’ll need the help of her partner, Will Trent, and they’ll both need the help of trauma doctor Sara Linton. But Faith isn’t just a cop anymoreâ€"she’s a witness. She’s also a suspect.
 
The thin blue line hides police corruption, bribery, even murder. Faith will have to go up against the people she respects the most in order to find her mother and bring the truth to lightâ€"or bur! y it forever. 

Karin Slaughter’s most exhilarating novel yet is a thrilling journey through the heart and soul, where the personal and the criminal collide, and conflicted loyalties threaten to destroy reputations and ruin lives. It is the work of a master of the thriller at the top of her game, and a whirlwind of unrelenting suspense.Fallen Forte Skate Suede Low Mens

Dylan Dog: Dead of Night - Movie Poster - 27 x 40 Inch (69 x 102 cm)

  • You are looking at a great poster.
  • This poster measures approx. 27 x 40.
  • Rolled and shipped in a sturdy tube.
  • This poster is from Dylan Dog: Dead of Night (2010)
Dylan Dog (Brandon Routh) is a world famous private detective who specializes in the supernatural. Armed with an edgy wit and carrying an arsenal of silver and wood-tipped bullets, Dylan must track down a dangerous artifact before a war ensues between his werewolf, vampire and zombie clients living undercover in the monster infested backstreets of New Orleans.At a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide over most of! the well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare, and the in! gredients are there for a breezily enjoyable gore comedy. Ulti! mately, what makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightThe adventures of supernatural private eye dylan dog who seeks out the monsters of the louisiana bayou in his signature red shirt black jacket and blue jeans. Studio: Tcfhe Release Date: 07/26/2011 Starring: Brandon Routh Taye Diggs Run time: 108 minutes Rating: Pg13 Director: Kevin MunroeAt a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide over most of the well-trod ! areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare, and the ingredients are t! here for a breezily enjoyable gore comedy. Ultimately, what ma! kes D ylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightAt a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide over most of the well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factio! ns roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare, and the ingredients are there for a breezily enjoyable gore comedy. Ultimately, what makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of! mopey cinematic nosferatus. More, please. --Andrew WrightMovie Goods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

50 Dead Men Walking

  • Belfast hoodlum Martin (Jim Sturgess) is recruited by a British agent (BenKingsley) to infiltrate the IRA during the height of the Northern Irish conflict and quickly becomes embroiled in a dangerous game that could cost him his life if his secret is found out. As other informers are brutally murdered, Martin starts to look for away out, but his handler urges him to stay undercover in this taut ac
Belfast hoodlum Martin (Jim Sturgess) is recruited by a British agent (Ben Kingsley) to infiltrate the IRA during the height of the Northern Irish conflict and quickly becomes embroiled in a dangerous game that could cost him his life if his secret is found out. As other informers are brutally murdered, Martin starts to look for a way out, but his handler urges him to stay undercover in this taut action packed thriller based on a true story.In her nerve-jangling adaptation of Martin McGartland's mem! oir, director Kari Skogland takes the politics out of an inherently political scenario. As Martin, Jim Sturgess (21) affects a convincing accent as a "Catholic hood selling stolen goods" in Belfast in 1988. When the British Special Branch catches Martin in the act and coerces him to inform on the Irish Republican Army in lieu of jail time, he takes the bait, knowing full well the army will kill him if they find out. Once his girlfriend, Lara (Natalie Press), becomes pregnant, the income the British provide becomes more necessary than ever. Further, Martin's sympathetic handler, Fergus (Ben Kingsley in fine form), turns out to be even more of an ally than his best mate, Sean (Kevin Zegers). During Martin's days with the IRA, he also meets the flame-haired Grace (Rose McGowan in an underwritten role), who offers him a vision of a different life. The title refers to the belief that Martin's intelligence saved the lives of 50 potential targets, though the film suggests h! e acted more out of self-interest than a sense of duty. It's a! lso hard to imagine that anyone raised in Northern Ireland could remain so resolutely apolitical--but it isn't inconceivable either. The real-life informer survived where many others did not, though he's been living under an assumed name since. Extras include deleted scenes, 30 minutes of fairly unilluminating B-roll (unused) footage, and commentary from Skogland, who states, "Ultimately, this movie is not a political story; this is a human drama." --Kathleen C. Fennessy