Cremaster 3 (Audio CD) Music by Jonathan Bepler

• Music for Matthew Barney's Cremaster 3.
• 2 CD set.
• Music by Jonathan Bepler.

Cremaster 3, the last in Matthew Barney's epic five-part film project, is part zombie, part gangster film. Set in 1930s New York and Saratoga Springs as well as Giant's Causeway in Northern Ireland, the plot explores the Irish mob system, freemasonry, and Celtic lore as further symbols for the forces at play in Barney's mythological system. Named after the muscle that raises or lowers a man's testicles in response to temperature, the Cremaster series has featured Barney as a satyr, a magician, a ram, Harry Houdini, and even famous murderer Gary Gilmore, props made from tapioca, petroleum jelly, ice, and self-healing plastic, and settings as fantastic and desolate as the Isle of Man, an empty football stadium in Idaho, and a nearly empty opera house in Hungary. The films are slow-moving and weirdly hyno! tic, full of elaborate sexual and biological allusions, references to sports and fashion, and a bizarre mix of autobiography, history, and private symbolism that have earned him comparisons to Wagner. This book is the final of the five companion volumes published to coincide with the release of each of the Cremaster films. Each was designed in an original manner by the artist and features photographs and stills from the film it accompanies.TRACKS: (CD 1) Giants Prologue / Chrysler Chorale Overture / Rough Ashler / Air Prelude / Song of the Vertical Field / Level Glass Nocturne / Cloud Club Reel / Initiate's Serenade / Pace of the Novitiate / Back Stretch Coda and Return (CD 2) Crown Overture / Spire March and Anthem / Rainbow Girls Idyll / Giants Epilogue / Finial Postlude

Heat [Blu-ray]

• When Al Pacino and Robert De Niro squarer off, HEAT sizzles. A tale of a brilliant L.A. cop (Pacino) following the trail from a deadly armed robbery to a crew headed by an equally brilliant master thief (De Niro). Val Kilmer, Jon Voight, Tom Sizemore, Ashley Judd and Natalie Portman co-star. Format: BLU-RAY DISC Genre: ACTION/ADVENTURE Rating: R Age: 883929073337 UPC:&nb

COLLATERAL - Blu-Ray MovieCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jami! e Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonVincent is a cool calculating cont! ract killer at the top of his game. Max is a cabbie with big d! reams lo oking for his next fare. This fateful night max will transport vincent on his next mission - one night 5 stops 5 hits & a perfect getaway. Together they find themselves in a non-stop race against time. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Tom Cruise Jada Picket Smith Run time: 120 minutes Rating: RCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay! deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, a! fter all, and the director's stellar track record with crime t! hrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a b! it slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonStudio: Paramount Home Video Release Date: 11/15/2011
Collateral

Collateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay! deftly combines intimate character study with raw bursts of ! action ( in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff Shannon


Days of Thunder

With Days of Thunder, director Tony Scott tried to do for the Indy 500 what he did for the U.S. Air Force with Top Gun. But without Top Gun's g! o-go soundtrack and visual feats, Scott merely ends up with a Tom Cruise vehicle that's out of gas.

Cruise plays (what else?) a cocky, upstart stock-car racer who faces down ruthless racing opponents. Nicole Kidman, Robert Duvall, Cary Elwes, and Randy Quaid do the laps around this movie's tiresome track with Cruise, while director Scott attempts to propel the action along with his trademark visceral, gritty but glamorous visual style.

Days of Thunder is notable, however, as a turning point in Cruise's then one-dimensional career. After this film--having tired even his most devoted fans by playing a bartender, an air force pilot, and a stock-car driver--Cruise was forced to take on real character parts. --Ethan Brown

Minority Report

Set in the chillingly possible future of 2054, Steven Spielberg's Minority Report is arguably the most intelligently provocative sci-fi thriller s! ince Blade Runner. Like Ridley Scott's "future noir"! classic , Spielberg's gritty vision was freely adapted from a story by Philip K. Dick, with its central premise of "Precrime" law enforcement, totally reliant on three isolated human "precogs" capable (due to drug-related mutation) of envisioning murders before they're committed. As Precrime's confident captain, Tom Cruise preempts these killings like a true action hero, only to run for his life when he is himself implicated in one of the precogs' visions. Inspired by the brainstorming of expert futurists, Spielberg packs this paranoid chase with potential conspirators (Max Von Sydow, Colin Farrell), domestic tragedy, and a heartbreaking precog pawn (Samantha Morton), while Cruise's performance gains depth and substance with each passing scene. Making judicious use of astonishing special effects, Minority Report brilliantly extrapolates a future that's utterly convincing, and too close for comfort. --Jeff Shannon


Top Gun

Jingoism, beefcake, military hardware, and a Giorgio Moroder rock score reign supreme over taste and logic in this Tony Scott film about a maverick trainee pilot (Tom Cruise) who can't follow the rules at a Navy aviation training facility. The dogfight sequences between American and Soviet jets at the end are absolutely mechanical, though audiences loved it at the time. The love story between Cruise's character and that of Kelly McGillis is like flipping through pages of advertising in a glossy magazine. This designer action movie from 1986 would be all the more appalling were it not for the canny casting of good actors in dumb parts. Standouts include Anthony Edwards--who makes a nice impression as Cruise's average-Joe pal--and the relatively unknown Meg Ryan in a small but memorable appearance. --Tom Keogh


War of the Worlds

Despite super effects, a huge budget, and the cinemat! ic pedigree of alien-happy Steven Spielberg, this take on H.G! . Wells' s novel is basically a horror film packaged as a sci-fi thrill ride. Instead of a mad slasher, however, Spielberg (along with writers Josh Friedman & David Koepp) utilizes aliens hell-bent on quickly destroying humanity, and the terrifying results that prey upon adult fears, especially in the post-9/11 world. The realistic results could be a new genre, the grim popcorn thriller; often you feel like you're watching Schindler's List more than Spielberg's other thrill-machine movies (Jaws, Jurassic Park). The film centers on Ray Ferrier, a divorced father (Tom Cruise, oh so comfortable) who witnesses one giant craft destroy his New Jersey town and soon is on the road with his teen son (Justin Chatwin) and preteen daughter (Dakota Fanning) in tow, trying to keep ahead of the invasion. The film is, of course, impeccably designed and produced by Spielberg's usual crew of A-class talent. The aliens are genuinely scary, even when the film--like the novel--spends a good! chunk of time in a basement. Readers of the book (or viewers of the deft 1953 adaptation) will note the variation of whom and how the aliens come to Earth, which poses some logistical problems. The film opens and closes with narration from the novel read by Morgan Freeman, but Spielberg could have adapted Orson Welles's words from the famous Halloween Eve 1938 radio broadcast: "We couldn't soap all your windows and steal all your garden gates by tomorrow night, so we did the best next thing: we annihilated the world." --Doug Thomas Studio: Warner Home Video Release Date: 06/07/2011 Run time: 351 minutesARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.Arnold Schwarzenegger's loyal fans get what they want i! n this routine but rousing revenge thriller, which pits the ag! ing acti on star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon When Al Pacino and Robert De Niro squarer off, HEAT sizzles. A tale of a brilliant L.A. cop (Pacino) following the trail f! rom a deadly armed robbery to a crew headed by an equally brilliant master thief (De Niro). Val Kilmer, Jon Voight, Tom Sizemore, Ashley Judd and Natalie Portman co-star.Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in this intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives.! Both are so devoted to their professions that their personal ! lives ar e a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, the film qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, g! iving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon

Idioms & Phrases in American Sign Language, Vol. 1: Teacher's Instructional DVD

• Your experience teaching idioms and phrases in American Sign Language (ASL) begins with us! Throughout this DVD, you will learn how to teach over 50 idioms and phrases in ASL about all facets of everyday life.
• You will also learn how to use these expressions in complete English and ASL sentences, activities and more.
• Since idioms and phrases are important part of daily conversations among Deaf / Hard-of-Hearing students, ASL teachers, parents and professionals, it is normal for one to encounter difficulties interpreting and/or translating these expressions into ASL and English.
• Our unique teachings will involve a media-rich bilingual presentation that is excellent for both Deaf / Hard-of-Hearing and ASL enthusiasts.
• This DVD is a requirement for every ASL teacher as well as for full use part of an American Sign Language / Deaf Studies and Interpreter Training programs (! ITP).

{Directed by Oscar winner Vanessa Roth}
{Inspired by the New York Times bestseller "Teachers Have It Easy"}
{Produced by Best-Selling Author Dave Eggers ("A Heartbreaking Work of Staggering Genius").}
{Endorsed by Teacher's Unions representing millions of teachers.}
{Seen as the answer to "Waiting for Superman" and "The Lottery".}
{Opened in theatres with an $8000+ per screen average in first week and rave reviews.}
{Microsoft's Partners in Learning has launched a community screening tour in more than 400 cities and towns across the country.}

As the debate over America's public schools rages on, the one thing everyone agrees on is the need for great teachers. Yet while research has shown that teachers are the most important in-school factor in a child's success, America's educators are so underpaid that almost two-thirds must work a second job in order to make a living.

Chronicling the stor! ies of four teachers in different areas of the country, Americ! an Teach er reveals the frustrating realities of today's teachers, the difficulty of attracting talented new educators, and why so many of our best teachers leave the profession altogether. Can we re-value teaching and turn it into a prestigious, financially attractive and desirable profession? With almost half of American teachers leaving the field in the next ten years, now is the time to find out.

Love, American Style was an hour-long television anthology which originally aired between September 1969 and January 1974. For the 1971 and 1972 seasons it was a part of an ABC Friday prime-time lineup that also included Brady Bunch, The Partridge Family, Room 222, and The Odd Couple. Each week, the show featured different stories of romance, usually with a comedic spin. All episodes were unrelated, featuring different characters, stories and locations. The show often featured the same actors playing different characters in many episodes. In addition a large and ornate brass bed was a! recurring prop in many episodes. Charles Fox's delicate yet hip music score, featuring flutes, harp, and flugelhorn set to a contemporary pop beat, provided the "love" ambiance which tied the stories together as a multifaceted romantic comedy each week.Frustrated newlyweds and bickering marrieds, lecherous executives and bodacious secretaries, uptight squares and free-spirited hippies, suspicious wives and nervous husbands, inexperienced teens and swinging seniors. They’re all part and parcel of Love, American Style, the era-defining anthology series that offered a comedic look at the so-called "new morality." Rebounding after studio-imposed DVD-interruptus, this three-disc set contains the 12 episodes that complete Season One. Each contains two or three playlets. Unlike The Love Boat, all are played for laughs: A honeymooning groom accidentally locks himself in an antique store’s chastity belt; A bachelor pretends to have a wife and children to se! duce a coworker who only dates married men; A harried man disc! overs hi s favorite restaurant has gone topless just as his wife surprises him for lunch. One intriguing story is "Love and the High School Flop-Out," whose story about an awkward teen who has the house to himself while his parents are out of town anticipates Risky Business, complete with friends who suggest he rent out the house for an "orgy." Love plays it completely straight. In one story, a newlywed complains her husband seems to be losing interest in her, prompting her mother to inquire if he is "strange." In another, an interior decorator in love with a mobster’s daughter is dismissed by him as a "petunia" until he dispatches the thug’s henchmen ("The fact that I have taste and a certain flair for color and design doesn’t make me any less of a man," he argues). And in another, two bickering male business partners visit a marriage counselor to sort out their troubles. Of course, what really makes this show such a star-spangled affair is each episode’s roste! r of character actors, TV Land cult faves, and future stars. Burt Reynolds already has his smirk going as a soldier whose wife has written a scandalous bestseller in "Love and the Banned Book." An 18-year-old Kurt Russell portrays a high school student poised to lose his virginity in "Love and the First-Nighters." Love American Style is hip enough to reference Alice B. Toklas, Bonnie & Clyde, Rosemary’s Baby and Federico Fellini, but its chauvinistic attitudes now make the once-naughty show seem almost endearingly quaint. Still, to watch "Love and the Nervous Executive," which pairs prissy Paul Lynde with va-voom "Mighty Carson Arts Players" bombshell Carol Wayne, or "Love and the Big Night" with Tony Randall and Julie "Catwoman" Newmar, is to fall in Love all over again. --Donald LiebensonLove, American Style was an hour-long television anthology which originally aired between September 1969 and January 1974. For the 1971 and 1972 seaso! ns it was a part of an ABC Friday prime-time lineup that also ! included Brady Bunch, The Partridge Family, Room 222, and The Odd Couple. Each week, the show featured different stories of romance, usually with a comedic spin. All episodes were unrelated, featuring different characters, stories and locations. The show often featured the same actors playing different characters in many episodes. In addition a large and ornate brass bed was a recurring prop in many episodes. Charles Fox's delicate yet hip music score, featuring flutes, harp, and flugelhorn set to a contemporary pop beat, provided the "love" ambiance which tied the stories together as a multifaceted romantic comedy each week. No "I Love the '70s" party will be complete without this blast from the groovy past, when women were "chicks," beaded door curtains were cool, and Carl Betz got top billing over Harrison Ford. Love American Style was an anthology series of comedic playlets about modern love, some sweet (two shy ventriloquists let their dummies do the talking in "Love and! the Dummies"), some silly (a greeting-card writer's romance is threatened by his penchant for practical jokes in "Love and the Joker"), and some mildly risqué (In "Love and a Couple of Couples," a man regards his ex-wife's posterior as she asks of their former marital bed, "Is it still firm?"). A more apt title for this series could be, "Comedy, Neil Simon-style." One of the more interesting segments is "Love and the Good Deal," co-written by Garry Marshall, and which plays like a deleted act from Barefoot in the Park in which newlyweds Paul and Corie look for a new bed for their cramped apartment.

Love American Style debuted in 1969, a year in which the networks started to reach out to "modern people living in a modern world" with shows such as Rowan & Martin's Laugh-In, The Mod Squad, and The Music Scene (which anticipated Saturday Night Live with its mix of satirical sketches and contemporary music). Love American Style was hip enough to feature a story called "Love and the Pill! " and to refer to Philip Roth's novel Goodbye, Columbus. But traditional values invariably triumphed. In "Pill," a young man tells his girlfriend's overwrought parents that they have abstained from you-know. "That's the way we happen to feel about it," he reassures them. But what we truly love about American Style are the casts. You'd have to sail The Love Boat or visit Fantasy Island to find such a stellar gathering of Hollywood greats, comic legends, TV Land faves, future stars, and unsung character actors with the indelible and unforgettable faces. To name a few: Bill Bixby, Sid Caesar, Hans "Uncle Tonoose" Conreid, Broderick Crawford, Dwayne "Dobie Gillis" Hickman, David Ketchum (Agent 13 on Get Smart), Shari Lewis, Regis Philbin, Connie Stevens, Larry Storch, Paul "Tigger" Winchell, Joe Flynn and Carl Ballentine from McHale's Navy, and Mr. Ford, who shows up as Roger, the boyfriend, in "Love and the Former Marriage." Stuart Margolin (The Rockford Files) is the most recognizable face of the show's stock company who appear in Laugh-In-style blackouts that link the stories. These are hit and miss, but some are blink-twice bizarre, as the one in which a black man reassures his reluctant fiancée, "Okay, we'll raise the kids Jewish." So cue the Cowsills ("Love American Style/Truer than the red, white and blue….") and ignite the fireworks. It's dated, yes, but Love will never go out of style. --Donald LiebensonThis DVD is a requirement for every ASL teacher as well as for full use part of an American Sign Language / Deaf Studies and Interpreter Training programs (ITP). Avery Posner will guide every viewer how to explicitly use Idioms & Phrases in American Sign Language, Vol. 1 DVD in a classroom environment. You will learn how to incorporate activities, provide handouts from the workbook (ISBN/EAN13:144144811X / 9781441448118) and plan your courses for 8 or more weeks. This DVD ! will show you how to provide quiz and do homework review.

Ov! er an ho ur and half of easy to follow introduction and instructions, every viewer will appreciate this most powerful teaching tool yet at a fraction of the cost! As a bonus, this DVD also includes all 52 idioms and phrases and their sentence examples seen in the student volume 1 DVD. Thus, you will have an all in one solution to teach the first 52 idioms!

Summary:

Your experience teaching idioms and phrases in American Sign Language (ASL) begins with us! Throughout this DVD, you will learn how to teach over 50 idioms and phrases in ASL about all facets of everyday life. You will also learn how to use these expressions in complete English and ASL sentences, activities and more.

Since idioms and phrases are important part of daily conversations among Deaf / Hard-of-Hearing students, ASL teachers, parents and professionals, it is normal
for one to encounter difficulties interpreting and/or translating these expressions into ASL and English. Our unique teachings will involv! e a media-rich bilingual
presentation that is excellent for both Deaf / Hard-of-Hearing and ASL enthusiasts.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Native Union Moshi Moshi Retro POP Handset for iPhone, iPad, iPod, and Android Phones - Soft Touch - Black

• Compatible with all 3.5mm jack mobile phones and computers, including iPhone, BlackBerry, iPad and latest MacBooks
• Noise-reducing technology for a crisp and polished sound
• Luxurious soft-touch finish for ultimate comfort and feel
• Eliminates up to 99 percentage of the radiation absorbed compared to a direct use of mobile phones
• One touch button for convenient pick-up/hang-up directly from the handset (not all mobile phone support function)

From producer Jennifer Lopez comes a danceable, dynamic story about the unifying power of the music within us all. When life in the South Bronx gets too hot for rapper Rob (Omarion Grandberry, You Got Served), he flees to Puerto Rico and a father he never knew. After half-brother Javi introduces Rob to the seductive rhythms of Reggaeton, the two find that their music, and cultures, have more in common than they ever ima! gined. But to bring their musical hybrid to the world, can they survive the grudges and gunplay that await them back in New York City? To find out, grab the disc, watch the film and Feel the Noise.Feel the Noise fits in with other dance-heavy films such as Stomp the Yard, Step Up, and You Got Served. The young hero in this film (which comes courtesy of Jennifer Lopez's Nuyorican Productions) serves up former B2K heartthrob Omarion Grandberry as Rob, a fledgling rapper who gets into trouble in New York. Fearing for her son's life, his mother ships him off to Puerto Rico to live with his father Roberto(Giancarlo Esposito) and half brother Javi (Victor Rasuk). Rob and Roberto have a strained relationship, but the two half-brothers quickly bond over their love of music. With the help of a girl Rob is sweet on, the two find themselves on the brink of a bonafide music career--that may bring Rob back to Harlem. Set against a backbeat of reggaeton! music (which combines elements of reggae, hip-hop, and salsa)! , the fi lm has its work cut out. The genre is little known to much of the film's demographics (teenagers), and Grandberry is likeable, but he's not a convincing leading man. His role requires simmering sexuality; he provides adorableness, but the moviegoer is never convinced that he is anything but a nice boy. Zulay Henao is lovely as Rob's sexy and sweet girlfriend, but the two actors don't share much chemistry. Lopez makes a blink-and-you-miss-it cameo near the end of the movie, which has one misstep too many to be anything more than a guilty pleasure. --Jae-Ha KimMusic From The Motion Picture "Feel The Noise" by Feel The Noise (Motion Picture Soundtrack)

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

From producer Jennifer Lopez comes a danceable, dynamic story about the unifying power of the music within us all. When life in the South Bronx gets too hot for rapper Rob (Omarion Grandberry, ! You Got Served), he flees to Puerto Rico and a father he never knew. After half-brother Javi introduces Rob to the seductive rhythms of Reggaeton, the two find that their music, and cultures, have more in common than they ever imagined. But to bring their musical hybrid to the world, can they survive the grudges and gunplay that await them back in New York City? To find out, grab the disc, watch the film and Feel the Noise.Feel the Noise fits in with other dance-heavy films such as Stomp the Yard, Step Up, and You Got Served. The young hero in this film (which comes courtesy of Jennifer Lopez's Nuyorican Productions) serves up former B2K heartthrob Omarion Grandberry as Rob, a fledgling rapper who gets into trouble in New York. Fearing for her son's life, his mother ships him off to Puerto Rico to live with his father Roberto(Giancarlo Esposito) and half brother Javi (Victor Rasuk). Rob and Roberto have a strained relationship, but the! two half-brothers quickly bond over their love of music. With! the hel p of a girl Rob is sweet on, the two find themselves on the brink of a bonafide music career--that may bring Rob back to Harlem. Set against a backbeat of reggaeton music (which combines elements of reggae, hip-hop, and salsa), the film has its work cut out. The genre is little known to much of the film's demographics (teenagers), and Grandberry is likeable, but he's not a convincing leading man. His role requires simmering sexuality; he provides adorableness, but the moviegoer is never convinced that he is anything but a nice boy. Zulay Henao is lovely as Rob's sexy and sweet girlfriend, but the two actors don't share much chemistry. Lopez makes a blink-and-you-miss-it cameo near the end of the movie, which has one misstep too many to be anything more than a guilty pleasure. --Jae-Ha KimDesigned by the French designer David Turpin the POP handset combines classic style with a contemporary edge and is finished with a luxurious soft-touch texture. The handset has been ! manufactured with a high quality speaker and microphone. Can be used for VOIP computer telephone calls (Skype, Google Talk). This product is fitted with a 3.5mm jack (compatible with the iPhone). Improved call comfort Allows access to phone functions when making calls Eliminates over 99% of absorbed phone radiation Turns your tablet computer into a telephone via Skype or VOIP applications Supplied with a 3.5mm plug

Developed by renowned French designer David Turpin, the MoshiMoshi 01H Retro Handset combines high style with high functionality, uniting the comfort and safety of a handset telephone with the convenience of the mobile phone. The chic design combines classic style with modern elegance, resulting in a fashionable and comfortable handset finished with a soft luxurious texture.

Turn back the clock with the MoshiMoshi 01H Retro Handset. Click here for a larger image.

Key Features

• Compatible with all 3.5mm jack mobile phones and computers, including iPhone, BlackBerry, iPad, and the latest MacBooks.
• One touch button for convenient pick-up/hang-up directly from the handset (not all mobile phone support function).
• Noise-reducing technology for a crisp and polished sound.
• Luxurious soft-touch finish for ultimate comfort and feel.
• Eliminates up to 99 percent of the radiation absorbed compared to a direct use of mobile phones.

Unparalleled Conversation Comfort

The MoshiMoshi 01H Retro Handset is specially designed to transform any type of smart-phone/mobile-phone into a comfortable and convenient conversation device. The ergonomic design provides incomparable comfort, making the mobile phone practical for any type of conversation in any type of environment.

The Moshi Retro Handset in black. Click here for a larger image.

The ability to leave the mobile phone untouched while talking allows the user to enjoy the convenience of utilizing all other functions of the mobile device mid-conversation, making plans, emailing, browsing the internet and access to calendars more simple than ever. The dual compatibility of the MoshiMoshi 01H not only allows the device to be plugged into mobile phones, but also computers to act as a handset for VOIP calls, making it the ultimate communication and business tool.

Compatible with All Devices

MoshiM! oshi 01H Retro Handset is compatible with all 3.5mm jack phones and computers, including the iPhone, BlackBerry, MacBook and iPad. When fitted with the proper adaptor (sold separately) it is compatible with all mobile phones and computers for VOIP computer telephone calls, including Skype and Google Talk.

Eliminating 99 Percent of Radiation

While the debate about potentially harmful mobile phone radiation and the heath-related consequences rages on, Native Union has already offered a solution to the risk with the MoshiMoshi 01H Retro Handset. Native Union offers state of the art technology in the high quality speaker and microphone ensures a polished sound while the design eliminates 99 percent of harmful mobile phone radiation.

Using Your MoshiMoshi Retro Handset

	STEP 1. You need to refer to the attached adapter table to check which adapter is needed to connect your mobile phone to your MoshiMoshi handset. If your mobile phone doesn't require an adapter, please proceeed directly to step 3.
	STEP 2. Plug the corresponding adapter to the 3.5mm jack end of your MoshiMoshi (optional, please check on the adapter list to see if your phone needs it).
	STEP 3. You can now securely plug your Mosshi Moshi into the hands-free port of your mobile ph! one (please refer to your mobile phone's instruction manual to! locate this port).

Cthulhu Dice

• 2 or more player game
• 5-10 minutes to play
• Cthulhu madness
• Quick to learn and play
• Action packed dice game

Serving Cthulhu is fun . . . except for all those other cultists out to get you. So get them first! Cthulhu Dice lets you drive your rivals mad . . . very, very quickly. Players take turns rolling the big, beautiful, custom 12-sided die, embossed with tentacles, Elder Signs, and more. Destroy your opponents' sanity! Better yet, steal it. But watch out for Cthulhu - when he comes up, he takes sanity from everyone! 18 glass Sanity marbles are included. Lose all your marbles and you're mad. The last sane cultist wins . . . unless everyone goes mad together. Then Cthulhu wins!