Monday, November 14, 2011

Fireproof Your Marriage Couple's Kit

  • Product Details: Paperback: 96 pages
  • Publisher: Outreach Inc (August 2008), Language: English
  • ISBN-10: 0978715373, ISBN-13: 978-0978715373, Product Dimensions: 8.8 x 5.8 x 1.4 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies), Average Customer Review: 4.8 out of 5 stars See all reviews (25 customer reviews), Amazon Bestsellers Rank: #39,245 in Books (See Top 100 in Books)
Lt. Caleb Holt lives by the old firefighter's adage: Never leave your partner behind. Inside burning buildings, it's his natural instinct. In the cooling embers of his marriage, it's another story. After a decade of marriage, Caleb and Catherine Holt have drifted so far apart that they are ready to move on without each other. Yet as they prepare to enter divorce proceedings, Caleb's dad asks his son to try an experiment: The Love Dare. While hoping The Love Dare has not! hing to do with his parents' newfound faith, Caleb commits to the challenge. But can he attempt to love his wife while avoiding God's love for him? Will he be able to demonstrate love over and over again to a person that's no longer receptive to his love? Or is this just another marriage destined to go up in smoke?A feel-good drama, Fireproof has a strong agenda: stay married, lead an honest life, and let your faith in a higher power help guide you. A still boyish-looking Kirk Cameron (Growing Pains) stars as Caleb Holt, a mercurial-tempered firefighter whose marriage is on the rocks. He clearly enjoys his status as a hero, but it comes at the expense of his marriage. His wife Catherine (Erin Bethea) is tired of the distance and wants him to make more of an effort at home, rather than surf porn on the Internet and hoard his earnings toward his dream fishing boat instead of helping out her disabled mother. Faced with impending divorce, Caleb's dad challenge! s him to follow the "40-day love dare," in which each task (co! ok her d inner, say nothing negative, etc.) is meant for him to better understand love and commitment and try and win his wife back. The third film by brothers Alex and Stephen Kendrick, Fireproof is the siblings' most polished feature. Cameron does a fine job of making Caleb real and believable, even when we're not always liking him. Though saddled at times with maudlin lines, Cameron adds emotion and range to his role. There is a not so subtle theme that the Holts--who at the beginning of the film are agnostic--needed religion to save their marriage. Clearly, Fireproof believes in its agenda and was made with the Christian audience in mind. Whether secular audiences will fall under its spell as well is debatable. But no one should walk away from the film offended. --Jae-Ha Kim


Stills from Fireproof (click for larger image)

!

Fireproof
Kirk Cameron (Left Behind! ) st ars as Caleb Holt, a heroic fire captain who values dedication and service to others above all else. But the most important partnership in his life, his marriage, is about to go up in smoke. This gripping story follows one man's desire to transform his life and marriage through the healing power of faith and fully embrace the fireman's code: Never Leave Your Partner Behind.

Facing the Giants
In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season. After learning that he and his wife Brooke face infertility, Grant discovers that a group of fathers are secretly organizing to have him dismissed as head coach. Devastated by his circumstances, he cries out to God in desperation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, ! the Eagles must step up to their greatest test of strength and courage.

Flywheel
Jay Austin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are repeatedly exposed. Like many men, he becomes disgusted by the masks he wears and lies he tells. While having a classic convertible repaired, Austin begins a humorous and inspiring journey to win back the hearts of his wife, his son, and his community. In every man's life, there can be a turning point. When Jay Austin makes his turn, he never looks back. DVD-Fireproof by Provident FilmsStudio: Sony Pictures Home Ent Release Date: 09/29/2009 Run time: 118 minutes Rating: PgA feel-good drama, Fireproof has a strong agenda: stay married, lead an honest life, and let your faith in a higher power help guide you. A still boyish-looking Kirk Cameron (Growing P! ains) stars as Caleb Holt, a mercurial-tempered firefight! er whose marriage is on the rocks. He clearly enjoys his status as a hero, but it comes at the expense of his marriage. His wife Catherine (Erin Bethea) is tired of the distance and wants him to make more of an effort at home, rather than surf porn on the Internet and hoard his earnings toward his dream fishing boat instead of helping out her disabled mother. Faced with impending divorce, Caleb's dad challenges him to follow the "40-day love dare," in which each task (cook her dinner, say nothing negative, etc.) is meant for him to better understand love and commitment and try and win his wife back. The third film by brothers Alex and Stephen Kendrick, Fireproof is the siblings' most polished feature. Cameron does a fine job of making Caleb real and believable, even when we're not always liking him. Though saddled at times with maudlin lines, Cameron adds emotion and range to his role. There is a not so subtle theme that the Holts--who at the beginning of the film are agnos! tic--needed religion to save their marriage. Clearly, Fireproof believes in its agenda and was made with the Christian audience in mind. Whether secular audiences will fall under its spell as well is debatable. But no one should walk away from the film offended. --Jae-Ha Kim


Stills from Fireproof (click for larger image)

Inside burning buildings, Captain Caleb Holt lives by the firefighter's adage:  Never leave your partner.

Yet at home, in the cooling embers of his marriage, he lives by his own rules.

Growing up, his wife Catherine always dreamed of marrying a loving, brave firefighter . . . just like her father.  Now, after seven years of marriage, she wonders when she stopped being "good enough."  Countless arguments and anger have them wanting to move on to something with more sparks. 

As they prepare for divorce, Caleb's father challenges him to commit ! to a 40-day experiment:  "The Love Dare."  Wondering if it's even worth the effort, Caleb agrees, for his father's sake more than for his marriage.

Surprised by what he discovers about the meaning of love, Caleb realizes that his wife and marriage are worth fighting for.  His job is to rescue others.  Now Captain Holt is ready to face his toughest job      ever . . . rescuing his wife's heart.

In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season. After learning that he and his wife Brooke face infertility, Grant discovers that a group of fathers are secretly organizing to have him dismissed as head coach. Devastated by his circumstances, he cries out to God in desperation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, the Eag! les must step up to their greatest test of strength and courag! e.Jay Au stin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are repeatedly exposed. Like many men, he becomes disgusted by the masks he wears and lies he tells. While having a classic convertible repaired, Austin begins a humorous and inspiring journey to win back the hearts of his wife, his son, and his community. In every man's life, there can be a turning point. When Jay Austin makes his turn, he never looks back.Flywheel is the first film from the creators of Facing the Giants and Fireproof. Used car salesman Jay Austin (writer/director Alex Kendrick) swindles his customers and teaches his assistant salesmen to do the same--but despite the profits, something gnaws at him. When he realizes that his own son doesn't respect him, Austin has a conversion and accepts God into his life. This would be the end of most spiritual stor! ies, but Flywheel finds a warm comedy in the obstacles on the path of righteousness; Austin discovers that being right with God means grappling every day with what it means to be honest. Though the filmmaking is raw (the editing is often clumsy and the cinematography is flat), the story is well-paced, has a gently ironic sense of humor, and Kendrick's central performance is compelling. Kendrick is just as persuasive as a man struggling to emerge from a joyless life as he is when he's rediscovered his faith but finds it constantly tested. Though Flywheel is forthright about its Christian inspiration, the story is about actually living a moral life, not about abstract spiritual truths. The result is a movie that looks towards heaven, but has its feet on the earth. --Bret FetzerHere's everything you need to use the Fireproof film to help build strong, God-centered relationships. Couple's kit includes 6-session DVD with discussion-starting movie segments an! d two participant's guides that integrate Scriptures and video! clips w ith questions and devotions for individuals and couples. Also makes a great wedding or anniversary gift! Fireproof Your Marriage includes these six sessions: 1.) He Said/She Said: appreciating the God-designed differences between men and women. 2.) He First Loved Us: God's love for you and how it enables you to love others. 3.) Love for a Lifetime: marriage as a lifelong covenant. 4.) Breaking Free: freeing yourself from temptations that can destroy a marriage. 5.) Forgiveness: offering and receiving forgiveness. 6.) A Better Way of Loving: unconditional love. Churches can purchase in bulk at www.Outreach.com and save.

ALPINESTARS Men's Big Blaze Classic Tee, White, Small

Heckler

Thor (Two-Disc Blu-ray/DVD Combo + Digital Copy)

  • Thor Blueray Used Movie
Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), ! who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerRaised by her father (Eric Bana), an ex-CIA agent, in the wil! ds of Fi nland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerX-Men: First Class is the thrilling, eye-opening chapter you’ve been waiting for...Witness the beginning of the X-Men Universe. Before Charles Xavier and Erik Lensherr took t! he names Professor X and Magneto, they were two young men disc! overing their superhuman powers for the first time, working together in a desperate attempt to stop the Hellfire Club and a global nuclear war.When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together! to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take center stage, and dies a little when they don't. For the most part, though, Vaughn does right by playing up the James Bond parallels and acknowledging the debt to producer Bryan Singer through a couple of clever cameos. --Kathleen C. Fennessy

The epic ! adventure THOR spans the Marvel universe from present-day Eart! h to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war. As a result, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.

  • Product Measures: 0.5 x 5.5 x 7.5
Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hamme! r, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man se! ries. Glorying in the absolute unreality of its premise, Brana! gh's fil m is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers. --Andrew WrightThe epic adventure Thor spans the Marvel universe from present-day Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war. As a result, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?! ") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itse! lf by adopting a larger-than-life cosmic Shakespearean air tha! t sets i tself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers. --Andrew Wright

Hellraiser: Boxed Set

  • In 1987, Clive Barker placed his vision of Hell on film, launching one of the most disturbing and bloody franchises in horror history and gave birth to one of pop culture's most feared villains, Pinhead. Now the gates of Hell have re-opened and the iconic Lament Configuration can be yours. This collectible set features the original Hellraiser, Hellbound: Hellraiser II, and the stunning new Hellrai
An old family home holds untold mysteries and horrors for Larry Cotton and his wife, Julia.
Genre: Horror
Rating: R
Release Date: 25-JUN-2002
Media Type: DVDHaving made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of d! evilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his! own flesh--but will Frank succeed in restoring himself comple! tely? Wi ll Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon Loaded with nearly 3 hours of bonus material, this 3 disc set comes in a custom made Hellraiser Puzzle Box that slides open to reveal the discs. Disc 1 Hellraiser, Disc 2 Hellbound: Hellraiser II; Disc 3 Hellraiser Blu Ray.

2009 Reaper Award Winner - Best In Show and Best Packaging

Eight Below (Full Screen Edition)

  • Inspired by a true story and the hit Japanese film NANKYOKU MONOGATARI, Frank Marshall s (ALIVE, CONGO) EIGHT BELOW captures a rugged world of ice, snow, and threatening weather that few will ever experience in person. As a guide for a National Science Foundation Research Base in Antarctica, Jerry Shepard (Paul Walker) is perfectly content to spend his time exploring the wilderness with his sled d
Walt Disney Pictures presents EIGHT BELOW, the thrilling tale of incredible friendship between eight amazing sled dogs and their guide Jerry (Paul Walker). Stranded in Antarctica during the most unforgiving winter on the planet, Jerry's beloved sled dogs must learn to survive together until Jerry â€" who will stop at nothing -- rescues them. Driven by unwavering bonds of friendship, enormous belief in one another, and tremendous courage, Jerry and the dogs make an incredible journey to reunite in th! is triumphant and inspiring action-adventure the whole family will treasure.Despite a likable cast of humans, it's the canine stars who steal the show in Eight Below, a terrific live-action adventure in the time-honored Disney tradition. Based on a true story that was previously filmed (much differently) as the 1983 Japanese hit Antarctica, this above-average family film takes place in 1993 and focuses on a dog-sled guide at an Antarctic research station (Paul Walker) who is forced by a severe storm to abandon eight beloved sled dogs for the duration of a harsh Antarctic winter. Left to fend for themselves, the rugged and resourceful dogs encounter danger at every turn, surviving for nearly six months while Walker and his closest colleagues (engagingly played by Bruce Greenwood, Moon Bloodgood, and American Pie's Jason Biggs) join forces to mount a daring rescue mission. Having endured similarly extreme conditions on his 1993 film Alive, director! Frank Marshall brings an abundance of natural splendor (and m! inimum u se of digital wizardry) to spectacularly arctic locations in Norway, Greenland and Canada, and Walker (star of The Fast and the Furious) lends an amiable sincerity to his compassionate role. For most viewers, however, it's the remarkable dogs (six Siberian huskies and two malamutes) who make Eight Below so thoroughly entertaining. It's not quite an instant family classic, but it comes pretty doggone close. --Jeff Shannon

Batman & Mr. Freeze: SubZero / Batman: Mask of the Phantasm

Fear Dot Com : Widescreen Edition

  • Widescreen
Four people all died 48 hours after logging on to a website named feardotcom.com. Tough detective Mike Reilly (Stephen Dorff) collaborates with Department of Health associate Terry Huston (Natasha McElhone) to research these mysterious deaths. The only way to find out though what really happened is to enter the site itself. Fear Dot Com is a total-dot-mess, but it's a stylishly graphic frightfest that horror buffs will probably appreciate. As he did with his 1999 remake of House on Haunted Hill, director William Malone favors trippy atmosphere at the expense of acting, character development, and plot. Belatedly jumping on the Internet-thriller bandwagon, the film follows a brooding detective (Stephen Dorff) and a public health inspector (Natascha McElhone) as they investigate the deadly influence of the titular Web site, which channels the innermost fears of its visit! ors until they die of fright 48 hours later. Why 48 hours? Don't ask; Josephine Coyle's screenplay is as incoherent as Malone's grasp of narrative momentum, leaving Dorff and McElhone with little to do but look frightened and doomed. But Fear Dot Com has its moments, especially after mad doctor Stephen Rea's gruesome villainy is fully revealed, and the proceedings take on the monochrome pallor of silent German expressionism. Too bad these fantastic visuals weren't servicing a better movie. --Jeff ShannonA horror film whose topicality is tied to the dot-com boom is asking for trouble, and sure enough William Malone's follow-on to House on Haunted Hill turned out to be something of a murky bust. But composer Nicholas Pike's smartly understated score certainly deserves a better hearing. Working from inspirations as diverse as brooding Russian classical motifs, the baroque, and 20th-century modernism, Pike serves up a subtle cocktail of creepiness. On the c! ues "Alistair Gets Cozy/Cozier," he playfully turns the horror! -film cl ichés of creaking hinges, leaden footsteps, and squeaking doors into wry mini-concertos of dread. There are a few obligatory crashing crescendos, wailing choirs, and action cues in the composer's largely seamless melding of the orchestral and electronic, but overall it's a soundtrack that wisely relies more on spacious dynamics than on cheap jolts to paint its evocative soundscape of dread. --Jerry McCulley DVD

Green Street Hooligans

  • A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.Running Time: 108 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 012569760295 UPC: 012569760295 Manufacturer No: 76029
A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.

DVD Features:
Documentary:The Making of Hooligans
Music Video:"One Blood" Music Video by Terence Jay

After the Lord of the Rings trilogy, Elijah Wood could've opted for further big budget epics, but took a sharp left turn with this better-than-average B-movie. Released just after Everything is Illuminated, another offbeat entry, Wood plays journalism student Matt Buckner. In the prologue, he's expelled from Harvard when his over-privileged roommate sets ! him up to take the fall for his own misdeeds. With nowhere to go, Matt decides to visit his sister, Shannon (Claire Forlani), in London. He's already got a chip on his shoulder when he falls under the sway of Shannon's brother-in-law, Pete (Charlie Hunnam), head of West Ham's football "firm," the Green Street Elite. Matt soon gets caught up in their thuggish anticsâ€"to tragic effect. In her feature debut, German-born Lexi Alexander makes a mostly convincing case for the attractions of violence to the emotionally vulnerable, as opposed to the emotionally numb pugilists of the more satirical Fight Club. Unlike David Fincher (by way of Chuck Palahniuk), she plays it straight, except for the stylized fight sequences. Consequently, humor is in short supply, but the young Brit cast, especially Leo Gregory as the surly Bovver, is charismatic and Wood makes his character as believable as possible, i.e. he may seem miscast, but that's the point. Although there's no (direct) ! correlation between the two, Green Street makes a fine ! taster f or Bill Buford's Among the Thugs, the ultimate dissection of the hooligan mentality. --Kathleen C. Fennessy