Thursday, April 26, 2012

Cowboy Bebop: The Movie [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • Animated; Dolby; NTSC; Subtitled; Widescreen
Mars. Days before Halloween 2071. Villains blow up a tanker truck on Highway One, releasing a deadly virus that kills hundreds. Fearing a bigger, even more devastating biochemical attack, an astronomical reward is offered for the arrest and capture of the person behind the destruction. On the spaceship "Bebop," Spike Spiegel and his crew of bounty hunters (Jet Black, Faye Valentine, Ed and Ein) are bored and short of cash. But with the news of the reward everything changes. Based on the wildly popular TV series, Cowboy Bebop, the big-screen smash Cowboy Bebop: The Movie pits Spike and Co. against their deadliest adversary ever. Featuring stunning, state-of-the-art animation, this action-packed sci-fi adventure builds to a breath-taking, nail-biting climax, guaranteed to ke! ep you hanging on the edge of your seat.As the eagerly awaited Cowboy Bebop feature film reunites the original director, screenwriter, composer, and vocal cast, it's not surprising that the film plays like an expanded TV episode. What should be the routine capture of a two-bit hacker by Faye escalates into a deadly game of cat and mouse, as Spike and the gang struggle to prevent the evil Vincent Volaju from murdering every human on Mars. Director Shinichiro Watanabe handles the action sequences with his usual panache. Inside the sinister Cherious Medical research facility, Spike fights a beautiful agent, using a push broom in a series of maneuvers Jackie Chan might envy. The climactic duel between Spike and Vincent plays against innocent yet eerie images of a Halloween carnival, recalling the amusement park setting of episode 20, "Pierrot Le Fou." Knockin' on Heaven's Door will delight fans of the series and provide an excellent introduction for the uninitiat! ed who want to know why Cowboy Bebop is so popular on b! oth side s of the Pacific. (Rated R: violence, brief nudity, minor profanity, tobacco use) --Charles Solomon

Thursday, April 5, 2012

Crossing Over

  • CROSSING OVER (DVD MOVIE)
Harrison Ford (Indiana Jones films) is on a quest for justice as an immigrations agent investigating the case of a missing illegal. In a cross-fire of crime and bureaucracy, fraud and murder, he must race against time to try to save a family from becoming collateral damage in the fight for the American dream. Critics rave, “Harrison Ford is terrific. An engrossing, thoroughly entertaining movie with great performances from a first-rate ensemble cast” (Pete Hammond, Hollywood.com). Co-starring Ashley Judd (Twisted), Ray Liotta (Smokin’ Aces), Jim Sturgess (21), and Cliff Curtis (10,000 BC); Crossing Over will keep you riveted until the final mystery unfolds.

Stills from Crossing Over (Click for larger image)


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The director of The Cooler tries a bigger canvas: Crossing Over is Wayne Kramer's take on nothing less than the vast subject of illegal immigration, coming at the topic from a dozen or so directions. Hefting the most star power is Harrison Ford, scurrying about as an L.A. Immigration and Customs officer whose conscience is sore from having trundled so many illegals back over the border--now he's worried about the child of a particularly vulnerable woman (Alice Braga). Cliff Curtis plays Ford's partner, an Iranian-American whose family ! is not as assimilated as his casual manner might suggest. There's a bit of pulp swagger in other sections of the picture, as Kramer tries to channel his inner Sam Fuller: for instance, an Immigration official (Ray Liotta at his piggiest) coerces an Australian actress (Alice Eve) into a sex-for-green-card affair, and an adolescent Arab-American girl (Summer Bishil, from Towelhead) gives a cheeky speech at school that puts her family under suspicion as possible terrorists. Other strands of this scenario aren't as urgent, as Ashley Judd dreams of adopting the African child she's tending, and Jim Sturgess (Across the Universe), as a British non-believer, tries to convince Immigration authorities of his commitment to working at a Jewish school. The movie's single best scene has him "auditioning" to convince a rabbi of his commitment to Judaism, a funny moment that also carries an echo of the history of Jewish exodus. The movie has a tendency to bash from one thing ! to the next, too neatly connecting its Crash-like plotl! ines, li ke a really spirited first draft of a better movie. --Robert Horton

Tuesday, March 20, 2012

Stranger Than .... Fiction books series: 10 books (The Naked Civil Servant / Reading Lolita In Tehran / Longitude / The Perfect Storm / the Diving-Bell and the Butterfly / Fermat's Last Theorem / Stuart: A Life Backwards / In the Heart of the Sea / Bad Blood / Seabiscuit rrp £59.95)

  • stranger than, collection, pack, series, bad
  • blood, seabiscuit, in the heart of the sea,
  • stuart, backwards, fermat's lats theorem,
  • diving bell butterfly, perfect storm, longitude
  • reading, lolita, dark, naked civil servant,
In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young childen, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem.  After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alp! habet was recited to him slowly, over and over again. In the same way, he was able eventually to compose this extraordinary book.

By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him.

Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly.

This book is a lasting testament to his life.We've all got our idiosyncrasies when it comes to writing--a special cha! ir we have to sit in, a certain kind of yellow paper we absol! utely mu st use. To create this tremendously affecting memoir, Jean-Dominique Bauby used the only tool available to him--his left eye--with which he blinked out its short chapters, letter by letter. Two years ago, Bauby, then the 43-year-old editor-in-chief of Elle France, suffered a rare stroke to the brain stem; only his left eye and brain escaped damage. Rather than accept his "locked in" situation as a kind of death, Bauby ignited a fire of the imagination under himself and lived his last days--he died two days after the French publication of this slim volume--spiritually unfettered. In these pages Bauby journeys to exotic places he has and has not been, serving himself delectable gourmet meals along the way (surprise: everything's ripe and nothing burns). In the simplest of terms he describes how it feels to see reflected in a window "the head of a man who seemed to have emerged from a vat of formaldehyde."In December 1995, Jean-Dominique Bauby, the 43-year-! old editor of French Elle, suffered a massive stroke that left him permanently paralyzed, a victim of “locked in syndrome.” Once known for his gregariousness and wit, Bauby now finds himself imprisoned in an inert body, able to communicate only by blinking his left eye. The miracle is that in doing so he was able to compose this stunningly eloquent memoir.In a voice that is by turns wistful and mischievous, angry and sardonic, Bauby gives us a celebration of the liberating power of consciousness: what it is like to spend a day with his children, to imagine lying in bed beside his wife, to conjure up the flavor of delectable meals even as he is fed through at tube. Most of all, this triumphant book lets us witness an indomitable spirit and share in the pure joy of its own survival.


From the Trade Paperback edition.We've all got our idiosyncrasies when it comes to writing--a special chair we have to sit in, a certain kind of yellow paper we! absolutely must use. To create this tremendously affecting m! emoir, Jean-Dominique Bauby used the only tool available to him--his left eye--with which he blinked out its short chapters, letter by letter. Two years ago, Bauby, then the 43-year-old editor-in-chief of Elle France, suffered a rare stroke to the brain stem; only his left eye and brain escaped damage. Rather than accept his "locked in" situation as a kind of death, Bauby ignited a fire of the imagination under himself and lived his last days--he died two days after the French publication of this slim volume--spiritually unfettered. In these pages Bauby journeys to exotic places he has and has not been, serving himself delectable gourmet meals along the way (surprise: everything's ripe and nothing burns). In the simplest of terms he describes how it feels to see reflected in a window "the head of a man who seemed to have emerged from a vat of formaldehyde."In December 1995, Jean-Dominique Bauby, the 43-year-old editor of French Elle, suffered a massive st! roke that left him permanently paralyzed, a victim of “locked in syndrome.” Once known for his gregariousness and wit, Bauby now finds himself imprisoned in an inert body, able to communicate only by blinking his left eye. The miracle is that in doing so he was able to compose this stunningly eloquent memoir.In a voice that is by turns wistful and mischievous, angry and sardonic, Bauby gives us a celebration of the liberating power of consciousness: what it is like to spend a day with his children, to imagine lying in bed beside his wife, to conjure up the flavor of delectable meals even as he is fed through at tube. Most of all, this triumphant book lets us witness an indomitable spirit and share in the pure joy of its own survival.


From the Trade Paperback edition.On December 8 1995, Elle magazine editor-in-chief Bauby suffered a stroke and lapsed into a coma. He awoke 20 days later, mentally aware of his surroundings but physically paralyzed with th! e exception of some movement in his head and left eye. Bauby h! ad Locke d-in-Syndrome, a rare condition caused by stroke damage to the brain stem. Eye movements and blinking a code representing letters of the alphabet became his sole means of communication. It is also how he dictated this warm, sad, and extraordinary memoir. Bauby's thoughts on the illness, the hospital, family, friends, career, and life before and after the stroke appear with considerable humor and humanity. Actor Rene Auberjonois's narration adds to the poignancy of the story. Sadly, Bauby died of his condition in 1997From Miramax Films acclaimed director Julian Schnabel and the screenwriter of THE PIANIST comes a remarkable and inspiring true story about the awesome power of imagination. Experience the triumphant tale of renowned editor Jean-Dominique Bauby a man whose love of life and soaring vision shaped his will to achieve a life without boundaries. You'll soon discover why David Benby of "The New Yorker" calls THE DIVING BELL AND THE BUTTERFLY "nothing less than the rebi! rth of the cinema."System Requirements:Running Time: 112 minutes Language: English / Spanish / French Subtitles: English / French / SpanishFormat: DVD MOVIE Genre: DRAMA/TRUE STORY Rating: PG-13 UPC: 786936750119 Manufacturer No: 05596700The seemingly claustrophobic story of a man imprisoned in his paralyzed body becomes a dazzling and expansive movie about love, imagination, and the will to live. After a stroke, Jean-Dominique Bauby (Mathieu Amalric, Kings and Queen) can only move his left eye--and through that eye he learns to communicate, one letter at a time. With the help of his speech therapist (Marie-Josee Croze, Munich) and a stenographer (Anne Consigny, Anna M.), Bauby writes the stunning memoir The Diving Bell and the Butterfly. But such a plot summary makes the movie sound like lofty, self-important medicine--far from it. Director Julian Schnabel (Basquiat, Before Night Falls), working from an elegant screenplay by ! Ronald Harwood (The Pianist) and with an oustanding cas! t (which also includes Frantic's Emmanuelle Seigner as Bauby's neglected wife), has created a movie as engrossing and hypnotic as a thriller, a movie that wrestles with mortality yet has stubborn streaks of dark humor and eroticism, that portrays a man who overcomes unimaginable obstacles but refuses to paint him as a saint. Schnabel was once dismissed as a pompous and overblown painter, but he's crafted an intimate visual poem, a humble sonata about life at its most fragile. --Bret FetzerFrom acclaimed director Julian Schnabel, and the screenwriter of Australia and The Pianist, comes a remarkable and inspiring true story about the awesome power of imagination.

Experience the triumphant tale of renowned Elle magazine editor Jean-Dominique Bauby, a man whose love of life and soaring vision shaped his will to achieve a life without boundaries. Paralyzed after a stroke except for the use of his left eye, Bauby eloquently shared his story with th! e world by blinking the words he could no longer speak. The Diving Bell and the Butterfly is truly ""nothing less than the rebirth of the cinema."" (The New Yorker)The seemingly claustrophobic story of a man imprisoned in his paralyzed body becomes a dazzling and expansive movie about love, imagination, and the will to live. After a stroke, Jean-Dominique Bauby (Mathieu Amalric, Kings and Queen) can only move his left eye--and through that eye he learns to communicate, one letter at a time. With the help of his speech therapist (Marie-Josee Croze, Munich) and a stenographer (Anne Consigny, Anna M.), Bauby writes the stunning memoir The Diving Bell and the Butterfly. But such a plot summary makes the movie sound like lofty, self-important medicine--far from it. Director Julian Schnabel (Basquiat, Before Night Falls), working from an elegant screenplay by Ronald Harwood (The Pianist) and with an oustanding cast (! which also includes Frantic's Emmanuelle Seigner as Bau! by's neg lected wife), has created a movie as engrossing and hypnotic as a thriller, a movie that wrestles with mortality yet has stubborn streaks of dark humor and eroticism, that portrays a man who overcomes unimaginable obstacles but refuses to paint him as a saint. Schnabel was once dismissed as a pompous and overblown painter, but he's crafted an intimate visual poem, a humble sonata about life at its most fragile. --Bret FetzerStranger Than .... Fiction books series: 10 books The Naked Civil Servant / Reading Lolita In Tehran / Longitude / The Perfect Storm / the Diving-Bell and the Butterfly / Fermat's Last Theorem / Stuart: A Life Backwards / In the Heart of the Sea / Bad Blood / Seabiscuit rrp £59.95

Wednesday, March 7, 2012

Diggers

Friday, February 24, 2012

Hotel California

Friday, January 20, 2012

A Decade Under the Influence

Thursday, January 19, 2012

Sampler - Snowflakes are beautiful, like God's children - Primitive Country Rustic Embroidered Plaque Grandma Stitchery Picture

  • Endearing hand-stitched sampler.
  • "Snowflakes are beautiful, pure and bright, and like God's children, no two are alike."
  • Displayed under glass. 9"x 12".
A powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinc! hing, demanding, and generous. An epic story, exotic locales and electrifying performances from Bai Ling (Sky Captain and The World of Tomorrow), Tim Roth (Dark Water) and Nick Nolte (Hotel Rwanda) highlight this moving film that celebrates the power of the human spirit. Raised as an orphan, Binh (Damien Nguyen) is a young Vietnamese man with one impossible dream: to be reunited with his birth father, an American G.I. who left without a trace. In an incredible odyssey that stretches from Saigon to New York to Texas, Binh confronts unimaginable hardships as he finds danger, love and, finally, the key to unlocking the mysteries of his past.

Renovation that’s eco-friendly…AND economically smart

From Country Living contributing editor Randy Florke (Your House, Your Home) comes a gorgeous guide to decorating sustainably and inexpensively.  Providing inspiration! as well as instruction, Florke shows how everyone can achieve! a look that’s both harmonious with the environment and beautiful. 

 Color photographs show examples of rooms, all radiating country charm, created on a budget, and designed with the three Â"R”s in mind: restore, reuse, and repurpose. Florke clearly explains why going green is so important, how to use what’s already there, find a focus for every space, and determine what makes something environmentally friendly.

Anyone hoping to transform a home from ordinary to extraordinary will find eco-friendly, thrifty, and stylish ideas.   

With its emphasis on simplicity, thrift, and respect for historical integrity, Randy Florke calls his philosophy the "anti-keeping up with the Joneses.”  Comfort, style, and economy are the bellwether elements of his approach to decorating.

A powerful new collection from an award-winning poet.

At the heart of R! obert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous.A powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the g! rotesque and the grotesque inside what is beautiful. The laws ! of natur e, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous.In a Beautiful Country examines America's suburbs and exurbs where "The thrown newspaper fails / to reach the steps." Taking place beside hospital beds and amid outlet malls, within earshot of military bases and in the light of horror movies, these poems mourn the loss of parents, friends, and our sense of our nation. Turning to ballad-like rhythms, Prufer critiques romanticized visions of art while asserting its central role in citizenship and empire.Country Living is your guide to creating the ultimate in country style. Each issue offers inspirational ideas on:Decorating & Remodeling, Antique! s & Collecting, Gardening & Landscaping, Entertaining & Travel.This endearing hand-stitched sampler reads, "Snowflakes are beautiful, pure and bright, and like God's children, no two are alike." Stitchery features layered fabric with felt snowman, embroidered snowflakes, and evergreen tree. Displayed under glass. 9"x 12".

Wednesday, January 18, 2012

Dylan Dog Dead of Night Movie Fabric Wall Scroll Poster (16"x23") Inches

  • Decorate your walls with this brand new sturdy Wall Scroll
  • Durable fabric (much better than a regular poster)
  • Easy to frame (comes with 2 hanging hooks) and makes a great gift too
Dylan Dog (Brandon Routh) is a world famous private detective who specializes in the supernatural. Armed with an edgy wit and carrying an arsenal of silver and wood-tipped bullets, Dylan must track down a dangerous artifact before a war ensues between his werewolf, vampire and zombie clients living undercover in the monster infested backstreets of New Orleans.At a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide ! over most of the well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare! , and the ingredients are there for a breezily enjoyable gore ! comedy. Ultimately, what makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightThe adventures of supernatural private eye dylan dog who seeks out the monsters of the louisiana bayou in his signature red shirt black jacket and blue jeans. Studio: Tcfhe Release Date: 07/26/2011 Starring: Brandon Routh Taye Diggs Run time: 108 minutes Rating: Pg13 Director: Kevin MunroeAt a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide over most of th! e well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare, and the ingre! dients are there for a breezily enjoyable gore comedy. Ultimat! ely, wha t makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightWall Scroll Poster

Finding Amanda

Cold Creek Manor

  • Finally putting an end to their days as slaves to the hustle-and-bustle of city life, Gothamites Cooper Tilson (Dennis Quaid) and his wife, Leah (Sharon Stone), pack up their kids and all their possessions and move into a recently repossessed mansion in the sticks of New York State. Once grand and elegant, the Cold Creek Manor is now a shambles, but Cooper and Leah have plenty of time to renovate.
COLD CREEK MANOR is a heart-pounding thriller that will keep you on the edge of your seat in tension-filled suspense. Wanting to escape city life for the saner, safer countryside, New Yorkers Cooper Tilson (Dennis Quaid), his wife Leah (1995 Golden Globe winner Sharon Stone, Best Actress, CASINO), and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owne! r (Stephen Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate's dark and lurid past.Turn off your brain and Cold Creek Manor just might turn into an entertaining thriller. Taking an uncharacteristic detour into nonsensical plot mechanics, director Mike Figgis expertly pushes buttons with this nerve-jangling but ultimately hackneyed story (by Richard Jeffries) about a documentary filmmaker (Dennis Quaid) who moves his wife (Sharon Stone) and two kids into a run-down rural mansion once owned by the family of a simmering ex-convict (Stephen Dorff), who's got secret reasons for wanting Quaid's family to leave. This rote potboiler wants to be as thrilling as Fatal Attraction, but it's more like Pacific Heights--fun to watch as the tension escalates with Dorff's violent behavior, but seriously flawed as plot holes proliferate. With a few good shocks and slinky support from Juliette Lewis, it's pe! rfectly enjoyable as a popcorn distraction, but maybe they sho! uld've c alled it Cold Creaky Manor instead. --Jeff Shannon

Fotodiox Lens Mount Adapter - Canon FD, New FD, FL Lens to Canon EOS Camera Adapter, for Canon EOS 1d, 1ds, 1ds Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

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DETROIT 9000 - DVD MovieThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from The Godfather) stars as a veteran detective on the Detroit police force, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the ! department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent video release. --Sean AxmakerThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from Th! e Godfather) stars as a veteran detective on the Detroit ! police f orce, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent vi! deo release. --Sean AxmakerIf you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages. Certain prime lens just can't be replaced, and you save cost of purchase lenses. ­Fotodiox offers a range of adapter from large format to smaller format digital adapters. Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

Tuesday, January 17, 2012

It's a Guy Thing: Helping Guys Become Men, Husbands And Fathers

  • ? Personal research on manhood, marriage, and family
  • ? These lessons can turn your life around, save your marriage, and give you the skills you need to raise your kids
Boys need and want advice on all kinds of issues, for all kinds of problems, questions, and concerns. Often, they don’t know who or how to ask, and it seems to them that most self-help books are written for girls.

Everything about this book is for and about guys. Graphic-novel-style illustrations engage even reluctant readers. Quotes from real boys, results from a nationwide survey, inspiring stories, facts, and anecdotes keep them interested.

Journaling prompts invite boys to think about each topic and what it means to themâ€"from family life to fitting in, showing emotions, bullies, school, peer pressure, failure, handling anger, and more.

Positive, practical, and affirming, 10! 0 Things is just what boys need in a world of mixed messages on what it means to be male.
 

Based on questions from women who have attended author David Deida's highly acclaimed relationships seminars, this must-have book puts male behavior under the microscope. Included are chapters on sex, work, relationships and communication. Interspersed throughout are sidebars that shed light on the many faces of men and help women grasp what makes them act the way they do.

All Things Guy: A Guide to Becoming a Man that Matters talks to kids straight on no soft peddling, no sidestepping. It speaks to them where they live too much of the time in the pop culture and media world. It says what good, faithful parents want to say, but may not always be able to find the words. Dr. Ray Guarendi, Best-selling Catholic author and speaker Many fathers suspect the feminizing of the faith and long for a more muscular Christianity to pass along to their sons. They want s! omething that isn t just a matter of fulfilling Mass obligatio! ns or be ing a nice person. All Things Guy: A Guide to Becoming a Man that Matters goes through the basic of Faith, always aware that boys learn to know, love and serve God in their own generation not their grandparents. There are precious few resources out there for young men. All Things Guy is among the best! Don t let the opportunity to grow strong, faithful men slip by. Use this resource! Al Kresta, President and CEO Ave Maria Radio Best-selling Catholic author and speaker All Things Guy: A Guide to Becoming a Man that Matters is chock full of great content presented in a fashion that will appeals to boys. Mixed in with the messages on dignity, virtues, and becoming a Man that Matters; are mazes, puzzles, games and activities that drive home the authors' points. I particularly enjoyed the Media and Men that Matter and Know Your History chapters. The book is aimed at readers ages 9 through 14, but could be read to younger boys under adult supervision and will also be enjoy! ed by older boys due to the depth of the content included. I'm pleased to give All Things Guy: A Guide to Becoming a Man that Matters my highest recommendation. Lisa Hendey, Author Handbook for Catholic Moms Product description: All Things Guy: A Guide to Becoming a Man that Matters is written for boys ages 9 through 14. The chapters include: Dignity Virtues and More Media and Men that Matter Vocations Family and Friends Body Know Your History Boys in the Kitchen Strong Catholic Men of Today Basic Combat Training: Developing a Prayer Life All Things Guy: A Guide to Becoming a Man that Matters also includes mazes, brain teasers and other fun activities that engage boys like building a bow and arrow.

What’s more fun for guys than reading comics? Making their own. Your Life in Comics lets boys ages 9â€"13 do just that. Inspired by the Free Spirit favorite 100 Things Guys Need to Know, this do-it-yourself comic book features car! tooning exercises and prompts that get boys thinking about imp! ortant s ubjects in their lives, including family, friends, school, health, and the future. Rather than provide the story, the book allows guys to decide what happens by creating words and drawings of their own. Some of the interactive exercises feature completed comic strip panels where boys imagine and write the dialog. Others let guys draw comic strips of their own. Freestyle activities let kids personalize the book and explore who they are. Web extensions point the way to additional fun, interactive resources online.

Comic books and graphic novels help educators and parents get reluctant readers interested in books. Your Life in Comics goes a step further and helps get guys thinking and writing about critical topics in their lives.
 

ISBN: 0768423716 We are losing a generation of men. Not to drugs, not to crime, but to fatherlessness. What we have instead is a generation of boys, raised by women, who don't know what it is to

Monday, January 16, 2012

Home on the Range

  • Round up the family and get ready for a whole lotta fun with Disney's hilarious animated comedy HOME ON THE RANGE. It's a "total joy," raves Gene Shalit, The Today Show. When a greedy outlaw schemes to take possession of the "Patch Of Heaven" dairy farm, three determined cows, a karate-kicking stallion named Buck, and a colorful coral of critters join forces to save their home. The stakes
Round up the family and get ready for a whole lotta fun with Disney's hilarious animated comedy HOME ON THE RANGE. It's a "total joy," raves Gene Shalit, The Today Show. When a greedy outlaw schemes to take possession of the "Patch Of Heaven" dairy farm, three determined cows, a karate-kicking stallion named Buck, and a colorful coral of critters join forces to save their home. The stakes are sky high as this unlikely animal alliance risks their hides and match wits with a mysterious band of bad guys. Experi! ence Disney's new moo-vie adventure with spectacular bonus features, stunning animation, and original songs performed by k.d. lang, Bonnie Raitt, Tim McGraw, and The Beu Sisters and written by the Academy Award(R)-winning composer of BEAUTY AND THE BEAST and ALADDIN. It's "good fun for the whole family," declares Leonard Maltin.A spiky animation style and cowboy yodelling give Home on the Range some charisma. A trio of cows--Maggie (voiced by Roseanne, She-Devil), Mrs. Calloway (Judi Dench, Iris), and Grace (Jennifer Tilly, Bound)--hit the high prairie to track down a cattle rustler named Alameda Slim (Randy Quaid, Kingpin) in hopes that the reward money will save their farm. With the aid of Buck, a horse with heroic ambitions (Cuba Gooding Jr., Jerry Maguire), the bovine avengers track the villain to his lair and save the day, to the accompaniment of tunes warbled by k.d. lang, Bonnie Raitt, and Tim McGraw. These songs--composed by! Alan Menken (who wrote the music for The Little Mermaid and Beauty and the Beast)--are the movie's strongest element; the characters are largely trumped up to fit a number of weak jokes that reference current pop culture, thus rupturing the movie's Old West world. Still, it looks nifty. --Bret Fetzer

G-Force (Single Disc Widescreen)

  • Buckle up for thrilling edge-of-your seat action and laugh-out-loud fun in Disney's family comedy adventure G-FORCE. Just as the G-Force -- an elite team of highly trained guinea pigs -- is about to save the world, the F.B.I. shuts the secret unit down. But these next-generation action heroes -- Darwin, loyal team leader; Blaster, weapons expert with attitude to spare; Juarez, drop-dead gorgeous m
Buckle up for thrilling edge-of-your-seat action and laugh-out-loud fun in Disney’s family comedy adventure G-Force. Just as the G-Force â€" an elite team of highly trained guinea pigs â€" is about to save the world, the F.B.I. shuts the secret unit down. But these next-generation action heroes â€" Darwin, loyal team leader; Blaster, weapons expert with attitude to spare; Juarez, drop-dead gorgeous martial arts diva; and tag-along Hurley â€" won’t be stopped. Armed with the latest in hi! gh-tech spy equipment, and with the F.B.I. on their tails, the fur flies as they race against the clock to save the world. From the producer of the Pirates Of The Caribbean trilogy and National Treasure, and filled with high-octane action, daredevil stunts, cutting-edge special effects and outrageous comedy, G-Force is fantastic fun for the whole family.G-Force just might be the best Jerry Bruckheimer action film in many a moon. The film is exuberant, and its premise--don't think big for an animated caper film, think small--brilliantly upends the more-bigger-faster trope of American action films… with cute, little, furry guinea pigs.

Bruckheimer, the action genius behind the likes of the Pirates of the Caribbean, Con Air, The Rock, Armageddon, and many more, here teams with visual effects maestro Hoyt Yeatman, who writes and directs. The combo is potent, and the fact that they str! eamed their blow-'em-up vision through a film about tiny roden! ts savin g the world makes the whole confection a hilarious family-friendly experience as well as a satisfying action adventure. The premise isn't earth-shattering: oddball, unexpected heroes are called on to save the day (Men in Black, Underdog, etc.). But the lowly guinea pig has been long overdue to get its moment in the spotlight. And now the free world knows whom it can really trust. The film mixes the animated heroes with real-life actors, including the sardonic British character actor Bill Nighy, who plays an evil mogul out to take over and/or destroy the world. The U.S. government, it turns out, has been nurturing a special squad for occasions just such as this. It's just that it's been nurturing them in small pens with wood shavings on the floor and running wheels for exercise. Will Arnett, deadpan and spot-on, plays the human agent who has the unenviable task of wrangling the guinea pig G-Force, and is a deft foil for the bad guys as well as for the mini-h! eroes.

But the true powerhouse acting belongs to those giving voices to the guinea pig agents, including Sam Rockwell, Penélope Cruz, Steve Buscemi, and, as the voice of a domesticated layabout, Jon Favreau. The film's standout, though, is Tracy Morgan, whose Agent Blaster is bellicose, fearless, and as full of malapropisms as Morgan's character on 30 Rock. (In fact, the viewer keeps half-expecting Blaster to turn to Cruz's female agent, Juarez, and yell "Liz Lemon!") G-Force is full of belly laughs for kids, as well as their action-film-fan parents. --A.T. Hurley

Stills from G-Force (Click for larger image)





Sunday, January 15, 2012

Planet Earth: The Complete BBC Series

  • Condition: New
  • Format: DVD
  • Anamorphic; Box set; Closed-captioned; Subtitled
Where do we come from? Who created us? Why are we here? These questions have puzzled us since the dawn of time, but when it became apparent to Jon Stewart and the writers of The Daily Show that the world was about to end, they embarked on a massive mission to write a book that summed up the human race: What we looked like; what we accomplished; our achievements in society, government, religion, science and culture -- all in a tome of 238 pages with lots of color photos, graphs and charts.

After two weeks of hard work, they had their book. EARTH (The Book) is the definitive guide to our species. With their trademark wit, irreverence, and intelligence, Stewart and his team posthumously answer all of life's most hard-hitting questions, completely unburdened by objectivity, journalistic! integrity, or even accuracy.
With its strong focus on readability and illustrations, this trusted best seller makes an often-complex subject more accessible for readers like you. It offers a meaningful, non-technical survey that is informative and up-to-date for learning basic principles and concepts. For the Tenth Edition, the text’s design and figures have been updated, and the chapter on climate change has been revised significantly.
In the best-selling tradition of Smithsonian Animal, this extraordinary survey of our planet provides unrivaled insight into the forces and processes that formed our environment and which continue to influence its evolution. With thousands of breathtaking photographs and unique visual catalogues of the features and phenomena that take place on Earth -- such as rocks, minerals, and mountains to tropical rain forests and the different types of clouds -- Earth contains the most up-to-date ideas on how our world ! works, a compelling review on the health of the planet, and un! believab le images of the world's most stunning features.A visual odyssey that will change the way we see our planet, this remarkable book, companion to the acclaimed Discovery Channel/ BBC series, is an enduring and awe-inspiring record of one of the most ambitious natural history projects ever undertaken. Using the latest aerial surveillance, state-of-the-art cameras, and high definition technology, the creators of Planet Earth have assembled more than 400 stunning photographs of wondrous natural landscapes from around the globe, including incredible footage of the rarely spotted, almost mythical creatures that live in these habitats. Many of the images reveal inaccessible places that few have seen and record animal behavior that has never been filmed or photographed before. With the help of this highly advanced technology and the world's premier wildlife photographers, the book takes us on a spectacular journey from the world's greatest rivers and impressive gorges, to its ! mightiest mountains, hidden caves and caverns, and vast deserts. Planet Earth captures breathtaking sequences of predators and their prey, lush vistas of forests viewed from the tops of towering trees, the oceans and their mysterious creatures viewed from beneath the surface, and much more--in a magnificent adventure that brings unknown wonders of the natural world into our living rooms.
Copub: BBC Worldwide Americas The long-awaited new novel by the award-winning, bestselling author of Startide Rising and The Uplift War--an epic novel set fifty years from tomorrow, a carefully-reasoned, scientifically faithful tale of the fate of our world. "One hell of a novel . . . has what sci-fi readers want these days; intelligence, action, and an epic scale".--Isaac Asimov's Science Fiction Magazine. Line drawings.

An exciting revision of this innovative text, Earth: Portrait of a Planet, Third Edition, emphasizes active student learning with a ! new chapter format, interactive media, and the power and insi! ght of < em>Google Earthâ„¢.

Created through a "student-tested, faculty-approved" review process from nearly 70 students and faculty, EARTH is an engaging and accessible solution to accommodate the diverse lifestyles of today's learners. EARTH presents a rich overview of all Earth-related disciplines--from geology, hydrology, and oceanography to meteorology and astronomy. EARTH explores the physical attributes of planet Earth and its environment, emphasizing the human choices we have made, and exploring the physical consequences of those choices in the context of Earth systems.With an unprecedented production budget of $25 million, and from the makers of Blue Planet: Seas of Life, comes the epic story of life on Earth. Five years in production, over 2,000 days in the field, using 40 cameramen filming across 200 locations, shot entirely in high definition, this is the ultimate portrait of our planet. A stunning television experience that captures rare action,! impossible locations and intimate moments with our planet's best-loved, wildest and most elusive creatures. From the highest mountains to the deepest rivers, this blockbuster series takes you on an unforgettable journey through the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes you to places you have never seen before, to experience sights and sounds you may never experience anywhere else.As of its release in early 2007, Planet Earth is quite simply the greatest nature/wildlife series ever produced. Following the similarly monumental achievement of The Blue Planet: Seas of Life, this astonishing 11-part BBC series is brilliantly narrated by Sir David Attenborough and sensibly organized so that each 50-minute episode covers a specific geographical region and/or wildlife habitat (mountains, caves, deserts, shallow seas, seasonal forests, etc.) until the entire planet has been magnificently represented by the most astonishing si! ghts and sounds you'll ever experience from the comforts of ho! me. The premiere episode, "From Pole to Pole," serves as a primer for things to come, placing the entire series in proper context and giving a general overview of what to expect from each individual episode. Without being overtly political, the series maintains a consistent and subtle emphasis on the urgent need for ongoing conservation, best illustrated by the plight of polar bears whose very behavior is changing (to accommodate life-threatening changes in their fast-melting habitat) in the wake of global warming--a phenomenon that this series appropriately presents as scientific fact. With this harsh reality as subtext, the series proceeds to accentuate the positive, delivering a seemingly endless variety of natural wonders, from the spectacular mating displays of New Guinea's various birds of paradise to a rare encounter with Siberia's nearly-extinct Amur Leopards, of which only 30 remain in the wild.

That's just a hint of the marvels on display. Accompanied by majestic orches! tral scores by George Fenton, every episode is packed with images so beautiful or so forcefully impressive (and so perfectly photographed by the BBC's tenacious high-definition camera crews) that you'll be rendered speechless by the splendor of it all. You'll see a seal struggling to out-maneuver a Great White Shark; swimming macaques in the Ganges delta; massive flocks of snow geese numbering in the hundreds of thousands; an awesome night-vision sequence of lions attacking an elephant; the Colugo (or "flying lemur"--not really a lemur!) of the Philippines; a hunting alliance of fish and snakes on Indonesia's magnificent coral reef; the bioluminescent "vampire squid" of the deep oceans... these are just a few of countless highlights, masterfully filmed from every conceivable angle, with frequent use of super-slow-motion and amazing motion-controlled time-lapse cinematography, and narrated by Attenborough with his trademark combination of observational wit and informative au! thority. The result is a hugely entertaining series that doesn! 't flinc h from the predatory realities of nature (death is a constant presence, without being off-putting), and each episode ends with 10-minute "Planet Earth Diaries" (exclusive to this DVD set) that cover a specific aspect of production, like "Diving with Pirahnas" or "Into the Abyss" (the latter showing the rigors of filming the planet's most spectacular caves, including the last filming ever officially permitted in the "Chandelier Ballroom," a crystal-encrusted cavern found over a mile deep in New Mexico's treacherous Lechuguilla, the deepest cave in the continental United States.)

With so many of Earth's natural wonders on display, it's only fitting that the final DVD in this five-disc set is devoted to Planet Earth: The Future, a separate three-part series in which a global array of experts is assembled to discuss issues of conservation, protection of delicate ecosystems, and the socio-economic benefits of understanding nature as a commodity that returns trillions of! dollars in value at no cost to Earth's human population. At a time when the multiple threats of global warming should be obvious to all, let's give Sir David the last word, from the closing of Planet Earth's final episode: "We can now destroy or we can cherish--the choice is ours." --Jeff Shannon

Stills from Planet Earth (click for larger image)