Amexicano

• Bruno, an unemployed Italian American, is offered a job doing repairs for his landlord, who also suggests that he hires a Hispanic day laborer: Ignacio. Bruno ends up loving and admiring both Ignacio and his wife, but the specter of deportation continues to loom large. Run time: Approx. 84 min Format: DVD MOVIE Genre: DRAMA Rating: 13+ Age: 812034010494 UPC: 8120

Bruno, an unemployed Italian American, is offered a job doing repairs for his landlord, who also suggests that he hires a Hispanic day laborer: Ignacio. Bruno ends up loving and admiring both Ignacio and his wife, but the specter of deportation continues to loom large.

Dorian Gray

• DORIAN GRAY (DVD MOVIE)

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense ! of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."This book was converted from its physical edition to the digital format by a community ! of volunteers. You may find it for free on the web. Purchase o! f the Ki ndle edition includes wireless delivery.Dorian Gray, a handsome young man, receives a beautiful painting of himself from his good friend Basil Hallward. In the same moment, a new acquaintance, Lord Henry, introduces Dorian to the ideals of youthfulness and hedonism, of which Gray becomes immediately obsessed. Meanwhile, the painting in Dorian's possession serves as a constant reminder of his passing beauty and youth, driving his obsession.A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surrou! ndings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as wel! l as all renunciation, brings its own punishment."Forever you! ng. Fore ver cursed. Based on the acclaimed novel by Oscar Wilde. Upon arriving in London, the young and powerful Dorian Gray (Ben Barnes) becomes drawn into a world of debauchery and decadence by Lord Henry Wotton (Colin Firth). Desperate to preserve the beauty captured in his exquisite portrait, Dorian trades his soul for eternal youth â€" leading him down a path of wickedness and murder in order to protect his horrifying secret.

Dawn of the Dead (Widescreen Unrated Director's Cut)

• The Lost Tape - 15 minutes of terrifing footage
• Special Report - Zombie Invasion
• 12+ minutes of deleted scenes
• Commentary with director Zack Snyder and producer Eric Newman

Packed with more blood, more gore, and more bone-chilling, jaw-dropping thrills, Dawn of the Dead Unrated Director's Cut is the version too terrifying to be shown in theaters! Starring Mekhi Phifer, Ving Rhames and Sarah Polley in an edgy, electrifying thrill-ride.

When a mysterious virus turns people into mindless, flesh-eating zombies, a handful of survivors wage a desperate, last-stand battle to stay alive…and human.Are you ready to get down with the sickness? Movie logic dictates that you shouldn't remake a classic, but Zack Snyder's Dawn of the Dead defies that logic and comes up a winner. You could argue that George A. Romero's 1978 original was sacred ground for hor! ror buffs, but it was a low-budget classic, and Snyder's action-packed upgrade benefits from the same manic pacing that energized Romero's continuing zombie saga. Romero's indictment of mega-mall commercialism is lost (it's arguably outmoded anyway), so Snyder and screenwriter James Gunn compensate with the same setting--in this case, a Milwaukee shopping mall under siege by cannibalistic zombies in the wake of a devastating viral outbreak--a well-chosen cast (led by Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer), some outrageously morbid humor, and a no-frills plot that keeps tension high and blood splattering by the bucketful. Horror buffs will catch plenty of tributes to Romero's film (including cameos by three of its cast members, including gore-makeup wizard Tom Savini), and shocking images are abundant enough to qualify this Dawn as an excellent zombie-flick double-feature with 28 Days Later, its de facto British counterpart. --Jeff S! hannon

Elektra (Widescreen Edition)

• TESTED

ELEKTRA (DIRECTOR'S CUT) - Blu-Ray MovieWhile 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous refe! rences to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level. Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone. --David HoriuchiFROM THE FORCES THAT BROUGHT YOU X-MEN AND DAREDEVIL?Superstar Jennifer Garner proves that looks can kill as the sexiest action hero ever to burst from the pages of Marvel Comics. Restored to life after sust! aining mortal wounds in Daredevil, an icy, solitary Elektra (G! arner) n ow lives only for death as the world?s most lethal assassin. Using her bone-crunching martial arts skills and Kimagure?the ability to see into the future?Elektra is on a collision course with darkness? until her latest assignment forces her to make a choice that will lead either to her redemption or destruction in the ultimate battle between good and evil!While 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, ! Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level. Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone.

DVD features
Ben Affleck's much-rumored cameo is on! e of the deleted scenes on the Elektra DVD. It's a one-minute throwaway, and while he's supposedly appearing as Matt Murdock (who romanced Elektra in Daredevil), the barrage of celebrity gossip makes it impossible to see him as anything other than Jennifer Garner's real-life boyfriend. There's also a making-of featurette, which is mostly promotional hype other than a few interesting effects shots; four editing featurettes; and Jennifer Garner's videotaped message to ComicCon. --David Horiuchi

More on Elektra

Elektra: The Album (Soundtrack CD)	Elektra: The Movie (Comic Adaptation)	Frank Miller Comic Books
Daredevil (Director's Cut) (DVD)	Jennifer Garner stars in Alias (DVD)	More Superhero DVDs

Harry Potter and the Prisoner of Azkaban (Single-Disc Widescreen Edition)

• In Harry Potter and the Prisoner of Azkaban, Harry, Ron and Hermione, now teenagers, return for their third year at Hogwarts, where they are forced to face escaped prisoner, Sirius Black, who poses a great threat to Harry.Harry and his friends spend their third year learning how to handle a half-horse half-eagle Hippogriff, repel shape-shifting Boggarts and master the art of Divination. They also

In Harry Potter and the Prisoner of Azkaban, Harry, Ron and Hermione, now teenagers, return for their third year at Hogwarts, where they are forced to face escaped prisoner, Sirius Black, who poses a great threat to Harry. Harry and his friends spend their third year learning how to handle a half-horse half-eagle Hippogriff, repel shape-shifting Boggarts and master the art of Divination. They also visit the wizarding village of Hogsmeade and the Shrieking Shack, which is considered the most haunted b! uilding in Britain. In addition to these new experiences, Harry must overcome the threats of the soul-sucking Dementors, outsmart a dangerous werewolf and finally deal with the truth about Sirius Black and his relationship to Harry and his parents. With his best friends, Harry masters advanced magic, crosses the barriers of time and changes the course of more than one life. Directed by Alfonso Cuaron and based on J.K. Rowling's third book, this wondrous spellbinder soars with laughs, and the kind of breathless surprise only found in a Harry Potter adventure.Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School! of Witchcraft and Wizardry face a new and daunting challenge:! Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's bou! ndless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon

FIDO

• Fido Has Attitude With His Spiked Collar. He Appeals To Children and Adults.
• FIDO Walks, Barks, Heels and Flips 360 Degrees And Lands Back On His Feet
• 3+

No description available for this title.
Item Type: DVD Movie
Item Rating: R
Street Date: 10/23/07
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveIt doesn't take long for the hilarity of Fido's central idea to kick in: the world is reeling from the Zombie War, and the undead are being contained in two different ways. Some of them are roaming loose in fenced-off wilderness zones. The rest are, thanks to the good people at the ZomCom corporation, docile and domesticated--indeed, availa! ble as house servants for the upwardly-mobile. Such is the case with the Robinson family, a suburban clan who seem to have stepped straight out of an old episode of Lassie. Little Timmy is happy about the new manservant, whom he promptly dubs "Fido," and Fido himself is fine as long as the mechanical collar around his neck doesn't malfunction (in which case he will revert to being a cannibalistic brain-eating zombie). Fido is played, in a stroke of inspiration, by the Scots comedian Billy Connolly, although you wouldn't be able to recognize him without already knowing he's in the movie. Dylan Baker and especially Carrie-Anne Moss are just right as Timmy's parents, who have accidentally wandered out of a John Cheever novel and into a George Romero world. Director Andrew Currie skillfully gets the 1950s satire and the zombie action right, although there's no way to disguise that this premise is too thin to spread out over feature length. For a while, though, Fido hits a stride--a staggering, vacant-eyed stride. --Robert! Horton< /I>BOY EATS GIRL - DVD MovieLos Reyes Del Perreo, Alexis y Fido return with their biggest album to date, "Perreologia". After the success of "Down to Earth," which attained Gold status in sales. "Rescate," the first single from their new album, "Perreologia" is the most anticipated urban album set to release this year. As Alexis y Fido's star power increases so does the duo s marketability. In 2008, AT&T handpicked the duo to star in its widely successful "Far but Close" national campaign alongside actress Roselyn Sanchez and Basketball player Carlos Arroyo. Also in 2008 Alexis y Fido were nominated for two Latin Grammys and also received a nod in the Best Urban music Song category for "Soy Igual Que Tu." This new album takes them back to their roots of Perreo and has collaborations with Daddy Yankee and Flex just to name a few. With their first single already climbing the radio charts and a strong presence in all major Latin markets, Perreologia is going to take the scene b! y storm.FIDO BLACK WALKING BARKING FLIPPING DOG - Black

Great Lakes Select Honey, Clover, 32-Ounce Bottles (Pack of 3)

• Pack of 3, 32-ounce plastic (96-ounce)
• U.S grade A
• Natual honey

All of the honey is U.S. Grade A. The quality is superb and the taste is light and floral reminiscent of the natural settings that the brand names portray. HoneyTree takes pride in the flavor of its honey and consistently sources only the best.

The Freedom Writers Diary : How a Teacher and 150 Teens Used Writing to Change Themselves and the World Around Them

• ISBN13: 9780385494229
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A young teacher inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school. Though the "inspirational teacher" theme may feel done to death, Freedom Writers succeeds because it emphasizes the students as much as the teacher. Erin Gruwell (Hilary Swank, Million Dollar Baby, Boys Don't Cry) comes to a southern California high school bubbling over with naive optimism, but quickly discovers that her unruly classroom isn't easily won over by her good intentions. After a few floundering attempts to connect with her students, Gruwell gives them the assignment of keeping journals about their own lives--an assignment that the c! lass bites into with relish, which eventually bonds them together and pushes racial rivalries aside. This plotline has been made before, sometimes well, sometimes poorly; Freedom Writers, by drawing heavily from the published journals of the students--and thanks to a (mostly) unheroic script, direction that emphasizes individual characters over stereotypes, and rigorous performances from the whole cast--makes the story seem fresh and genuine. Swank does solid work, but the standouts are April L. Hernandez as a girl whose gang wants her to lie and send an innocent boy to jail and Imelda Staunton (Vera Drake) as a teacher who resents Gruwell's offbeat success. Also featuring Patrick Dempsey (Grey's Anatomy), Scott Glenn (The Right Stuff), and a plethora of strong young actors. --Bret Fetzer

Hilary Swank stars in this story about a teacher in a racially divided school who gives her st! udents what they ve always needed - a voice. Swank plays Erin ! Gruwell the real-life teacher at Long Beach s Wilson High who inspired her students to overcome the gangs that divided them and the education system that forgot them. Based on the book The Freedom Writers Diary and supported by a cast of first-time actors who drew from their actual experiences on the street Gruwell teaches us all an important lesson about tolerance and trust.System Requirements:Running Time: 122 Mins.Format: DVD MOVIE Genre: DRAMA Rating: PG - 13 UPC: 097361243245 Manufacturer No: 124324Though the "inspirational teacher" theme may feel done to death, Freedom Writers succeeds because it emphasizes the students as much as the teacher. Erin Gruwell (Hilary Swank, Million Dollar Baby, Boys Don't Cry) comes to a southern California high school bubbling over with naive optimism, but quickly discovers that her unruly classroom isn't easily won over by her good intentions. After a few floundering attempts to connect with her students, Gruwell gives ! them the assignment of keeping journals about their own lives--an assignment that the class bites into with relish, which eventually bonds them together and pushes racial rivalries aside. This plotline has been made before, sometimes well, sometimes poorly; Freedom Writers, by drawing heavily from the published journals of the students--and thanks to a (mostly) unheroic script, direction that emphasizes individual characters over stereotypes, and rigorous performances from the whole cast--makes the story seem fresh and genuine. Swank does solid work, but the standouts are April L. Hernandez as a girl whose gang wants her to lie and send an innocent boy to jail and Imelda Staunton (Vera Drake) as a teacher who resents Gruwell's offbeat success. Also featuring Patrick Dempsey (Grey's Anatomy), Scott Glenn (The Right Stuff), and a plethora of strong young actors. --Bret Fetzer

Beyond Freedom Writers

More Inspirational Teacher Films on DVD

The Freedom Writers Diary by Erin Gruwell

More DVDs Starring Hilary Swank

Stills from Freedom Writers (click for larger image)

Straight from the front line of urban America, the inspiring story of one fiercely determined teacher and her remarkable students.


As an idealistic twenty-three-year-old English teacher at Wilson High School in Long beach, California, Erin Gruwell confronted a room of “unteachable, at-risk” students. One day she i! ntercepted a note with an ugly racial caricature, and angrily ! declared that this was precisely the sort of thing that led to the Holocaustâ€"only to be met by uncomprehending looks. So she and her students, using the treasured books Anne Frank: The Diary of a Young Girl and Zlata’s Diary: A Child’s Life in Sarajevo as their guides, undertook a life-changing, eye-opening, spirit-raising odyssey against intolerance and misunderstanding. They learned to see the parallels in these books to their own lives, recording their thoughts and feelings in diaries and dubbing themselves the “Freedom Writers” in homage to the civil rights activists “The Freedom Riders.”

With funds raised by a “Read-a-thon for Tolerance,” they arranged for Miep Gies, the courageous Dutch woman who sheltered the Frank family, to visit them in California, where she declared that Erin Gruwell’s students were “the real heroes.” Their efforts have paid off spectacularly, both in terms of recognitionâ€"appearances on “Prime Time Live”! and “All Things Considered,” coverage in People magazine, a meeting with U.S. Secretary of Education Richard Rileyâ€"and educationally. All 150 Freedom Writers have graduated from high school and are now attending college.

With powerful entries from the students’ own diaries and a narrative text by Erin Gruwell, The Freedom Writers Diary is an uplifting, unforgettable example of how hard work, courage, and the spirit of determination changed the lives of a teacher and her students.

The authors’ proceeds from this book will be donated to The Tolerance Education Foundation, an organization set up to pay for the Freedom Writers’ college tuition. Erin Gruwell is now a visiting professor at California State University, Long Beach, where some of her students are Freedom Writers.