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• In this mesmerizing and suspenseful film, a woman (Kidman) becomes convinced that a ten-year-old boy is the reincarnation of her dead husband.Running Time: 100 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 794043783821 UPC: 794043783821 Manufacturer No: N7838

A suspense thriller about a husband and wife, recovering from a personal tragedy, who encounter a stranger while cruising their boat in the Pacific and become ensnared in a drama of mystery, high emotions and extreme danger.There are several occasions when this rousing Australian thriller from 1987 should have ended with a well-placed shot from a speargun or a stronger knot of rope, but you don't think about these nit-picky details when you're being scared out of your wits. In a role that catapulted her to international stardom, Nicole Kidman plays a young wife who's joined her husband (Sam Neill) on a yachting trip ! to recover from the tragic death of their son. Far out to sea, they encounter a sinking ship with one survivor (Billy Zane, ten years before Titanic), but inviting him aboard turns out to be a very bad mistake. While Neill attempts to salvage the sinking boat, Kidman is fighting for her life against the psychotic Zane--a villain so creepy that you eagerly look forward to his demise. By the time that moment arrives director Phillip Noyce has resorted to a typical slasher-movie climax (proving that no boat should be without a flare gun), but until then Dead Calm is a nail-biting thriller that's guaranteed to keep you in a state of nail-biting suspense. --Jeff ShannonScreen sensation Nicole Kidman (MOULIN ROUGE, EYES WIDE SHUT) delivers an utterly unforgettable performance in this scary and stylish suspense thriller. While awaiting her husband's return from war, Grace (Kidman) and her two young children live an unusually isolated existence behind the locke! d doors and drawn curtains of a secluded island mansion. Then,! after t hree mysterious servants arrive and it becomes chillingly clear that there is far more to his house than can be seen, Grace finds herself in a harrying fight to save her children and keep her sanity. Acclaimed by critics everywhere, the unpredictable twists and turns of this compelling hit will keep you guessing as it keeps you riveted to the edge of your seat!A welcome throwback to the spooky traditions of Jack Clayton's The Innocents and Robert Wise's The Haunting, Alejandro Amenábar's The Others favors atmosphere, sound, and suggestion over flashy special effects. Set in 1945 on a fog-enshrouded island off the British coast, the film begins with a scream as Grace (Nicole Kidman) awakens from some unspoken horror, perhaps arising from her religiously overprotective concern for her young children, Anne (Alakina Mann) and Nicholas (James Bentley). The children are hypersensitive to light and have lived in a musty manor with curtains and shutters perpetu! ally drawn. With Grace's husband presumably lost at war, this ominous setting perfectly accommodates a sense of dreaded expectation, escalating when three strangers arrive in response to Grace's yet-unposted request for domestic help. Led by housekeeper Mrs. Mills (Fionnula Flanagan), this mysterious trio is as closely tied to the house's history as Grace's family is--as are the past occupants seen posthumously posed in a long-forgotten photo album.

With her justly acclaimed performance, Kidman maintains an emotional intensity that fuels the film's supernatural underpinnings. And while Amenábar's pacing is deliberately slow, it befits the tone of penetrating anxiety, leading to a twist that extends the story's reach from beyond the grave. Amenábar unveiled a similarly effective twist in his Spanish thriller Open Your Eyes (remade by Cameron Crowe as Vanilla Sky), but where that film drew debate, The Others is finely crafted to provoke well-earned! goose bumps and chills down the spine. --Jeff ShannonT! his is t he extraordinary story of Becca and Howie. Eight months ago, they had a picture-perfect life with their young son. Now, they are posing as normal in the wake of an enormous loss; blindly looking for footing in a sea of new emotions. This is the remarkably moving journey of a couple finding their way back to love.What happens after the unthinkable happens? Rabbit Hole, based on the Tony-winning play by David Lindsay-Abaire and deftly directed by John Cameron Mitchell, slowly reveals the answer: something else unthinkable. Rabbit Hole is a moving, dark character study of what happens to a happily married couple, Becca and Howie (Nicole Kidman and Aaron Eckhart), who suddenly lose the love of their life, their 4-year-old son. As in real life, the grief portrayed in Rabbit Hole takes peculiar twists and turns, and the deep sorrow and tragedy of the story is leavened by dark humor--much of it coming from Kidman. While Rabbit Hole is not an upbeat film,! it's emotionally resonant in the ways of some of the best films on similar subjects--like Ordinary People, Revolutionary Road, In the Bedroom. Both Kidman and Eckhart bring true humanity to roles that could have been one-dimensional. Kidman, especially, rejects the platitudes offered by the grievance support groups and well-meaning friends. When one acquaintance explains the loss of her own child as, "God needed another angel," Kidman's Becca snaps. "Then why wouldn't He have just made another angel? He's God, after all. Why not just make another angel?" The beauty and power of Rabbit Hole comes from showing how Becca and Howie make it back to a life they can bear--and, just maybe, to each other. The excellent supporting cast includes Sandra Oh (another member of the support group) and Dianne Wiest as Becca's mom, who's been through something similar. Everything about Rabbit Hole feels genuine, almost delicate, from the cinematogra! phy to the gentle but extremely moving score. Rabbit Hole is on e of the most moving dramas and one of the saddest films a viewer will feel gratified to embrace. --A.T. HurleyThis is the extraordinary story of Becca and Howie. Eight months ago, they had a picture-perfect life with their young son. Now, they are posing as normal in the wake of an enormous loss; blindly looking for footing in a sea of new emotions. This is the remarkably moving journey of a couple finding their way back to love.What happens after the unthinkable happens? Rabbit Hole, based on the Tony-winning play by David Lindsay-Abaire and deftly directed by John Cameron Mitchell, slowly reveals the answer: something else unthinkable. Rabbit Hole is a moving, dark character study of what happens to a happily married couple, Becca and Howie (Nicole Kidman and Aaron Eckhart), who suddenly lose the love of their life, their 4-year-old son. As in real life, the grief portrayed in Rabbit Hole takes peculiar twists and turns, and the deep sorrow and! tragedy of the story is leavened by dark humor--much of it coming from Kidman. While Rabbit Hole is not an upbeat film, it's emotionally resonant in the ways of some of the best films on similar subjects--like Ordinary People, Revolutionary Road, In the Bedroom. Both Kidman and Eckhart bring true humanity to roles that could have been one-dimensional. Kidman, especially, rejects the platitudes offered by the grievance support groups and well-meaning friends. When one acquaintance explains the loss of her own child as, "God needed another angel," Kidman's Becca snaps. "Then why wouldn't He have just made another angel? He's God, after all. Why not just make another angel?" The beauty and power of Rabbit Hole comes from showing how Becca and Howie make it back to a life they can bear--and, just maybe, to each other. The excellent supporting cast includes Sandra Oh (another member of the support group) and Dianne Wiest as Becca's mom,! who's been through something similar. Everything about Rab! bit Hole feels genuine, almost delicate, from the cinematography to the gentle but extremely moving score. Rabbit Hole is one of the most moving dramas and one of the saddest films a viewer will feel gratified to embrace. --A.T. HurleyA black comedy in which an ammoral and ambitious news personality seduces a teenager to convince him to murder her husband.
Genre: Feature Film-Comedy
Rating: R
Release Date: 7-AUG-2001
Media Type: DVDIf anyone ever doubts whether Nicole Kidman is a good actress, they should immediately be required to watch this outrageously wicked comedy from 1995, for which Kidman deservedly won a Golden Globe for Best Actress in a Leading Role. While director Gus Van Sant handles the fact-based satire with razor-sharp precision, Kidman delivers a deliciously devious performance as Suzanne Stone, a small-town New Hampshire housewife who fancies herself the next Barbara Walters, Jane Pauley, Diane Sawyer, and M! aria Shriver all rolled up into one meticulously coiffed package. So determined is she to have a successful career on TV that she'll stop at nothing--even the calculated murder of her husband (Matt Dillon)--to get the attention she feels entitled to. To carry out her scheme she recruits some unwitting local teenagers including one boy (Joaquin Phoenix, matching Kidman's excellence) whose infatuation with Suzanne leads to sexual escapades and predictably troublesome consequences. It's a satirical comedy in Van Sant's capable hands, but it's so close to tabloid reality that the film never seems implausible--which only gives it a funnier, more blood-chilling quality of humor. Featuring Illeanna Douglas, George Segal, and Seinfeld alumnus Wayne Knight in memorable supporting roles, this is one of the best comedies of the '90s--especially if you prefer comedies with a decidedly darker edge. --Jeff ShannonSomething terrifying has come to Earth, something that attack! s us while we sleep and turns us into soulless replicants. The! clock i s ticking as Washington, DC psychiatrist Carol Bennell (Nicole Kidman) and her colleague Ben Driscoll (Daniel Craig) embark on a heart-stopping journey into a nightmarish world where the only way to stay alive is to stay awake. No one can be trusted. No one is safe in producer Joel Silver's bold new take on Jack Finney's classic novel The Body Snatchers.

Don't fall asleep! The Invasion is here.The Invasion deserves a second chance on DVD. This ambitious sci-fi thriller represents a flawed yet worthy attempt to bring contemporary vitality to Jack Finney's classic science fiction novel, previously filmed as Don Siegel's 1956 classic Invasion of the Body Snatchers, Philip Kaufman's suspenseful 1978 remake, and Abel Ferrara's highly underrated Body Snatchers from 1994. And while those earlier films are superior in many respects, The Invasion is not without strengths of its own, particularly for those who prefer action and suspense. ! Unfortunately these strengths were compromised by the unpredictable misfortunes of production: Original director Oliver Hirschbiegel (hired on the strength of Downfall) was eventually replaced by James McTiegue (V for Vendetta), and the Wachowski Brothers (of Matrix trilogy fame) added high-octane action sequences to the original screenplay by David Kajganich. Perhaps the movie had a curse on it (star Nicole Kidman was almost seriously injured in a stunt-car mishap during last-minute reshoots), but it's really just a matter of disparate ingredients that don't always fit together, resulting in a slick-looking film that can't decide if it's a sci-fi mystery, action thriller, or political allegory. It tries too hard to be all things at once.

Despite this, Kidman rises to the occasion with a solid performance as Carol, a Washington, D.C. psychiatrist who's convinced (with the help of costars Daniel Craig and Jeffrey Wright) that a flu-like virus is spre! ading throughout the population, its alien spores turning vict! ims into soulless "pod people"... only in this case without the pods. The idea is that you'll be fine if you don't fall asleep, and especially if you don't let anyone sneeze or vomit on you. (There's a lot of vomiting; don't say you weren't warned.) With a crashing space shuttle to deliver the alien threat, cute tyke Jackson Bond as Carol's threatened son, and a nod to Kaufman's film with a small role for Veronica Cartwright, The Invasion will surely fare better on DVD than it did in theaters. If nothing else, it proves the timeless relevance of Finney's original premise, which continues to inspire a multitude of variations. --Jeff ShannonIn this mesmerizing and suspenseful film, a woman (Kidman) becomes convinced that a ten-year-old boy is the reincarnation of her dead husband.

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As directed by Jonathan Glazer (Sexy Beast) and dimly lit by cinematographer Harris Savides, Bir! th is a melancholy chamber piece, its pensive mood sustained by nearly sub-sonic nuances in a fine, thematically developed score by Alexandre Desplat. All of these fine qualities are well-matched by the somber performance of Nicole Kidman, playing a still-grieving widow of 10 years, about to remarry when a 10-year-old boy (Cameron Bright) arrives to announce that he is her dead husband, reincarnated and full of convincing answers to personal marital questions. Rather than go for Sixth Sense-like chills and thrills, Glazer approaches Birth as a conundrum with no clear-cut solution, and his directorial style is so subdued, so deliberately understated, that most of the story's dramatic impact is sacrificed to oppressively dour atmosphere. If it doesn't lull you to sleep, Birth might hold your attention as a strange, subtle thriller in miniature scale. With its delicate, mature approach to the processes of grieving and recovery, however, Birth re! wards attentive viewers attuned to the film's ultra-low-key wa! velength , and it's guaranteed to provoke interesting post-movie discussions. Lauren Bacall, Danny Huston, Anne Heche, and Arliss Howard lead an esteemed supporting cast. --Jeff Shannon

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